{"id":541,"date":"2020-02-15T13:04:05","date_gmt":"2020-02-15T05:04:05","guid":{"rendered":"http:\/\/140.115.197.66:3000\/?page_id=541"},"modified":"2025-07-31T16:31:39","modified_gmt":"2025-07-31T08:31:39","slug":"%e8%a8%b1%e7%b6%ba%e7%8e%b2-%e6%95%99%e6%8e%88","status":"publish","type":"page","link":"https:\/\/french.ncu.edu.tw\/?page_id=541","title":{"rendered":"\u8a31\u7dba\u73b2 \u6559\u6388"},"content":{"rendered":"<h1><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2939 alignright\" style=\"font-size: 16px; font-weight: 400;\" src=\"https:\/\/french.ncu.edu.tw\/wp-content\/uploads\/242201252_162165302751212_1634376419630592084_n66.jpg\" alt=\"\" width=\"254\" height=\"243\" \/><span style=\"font-size: 24pt;\">Mme HSU Chi-Lin<\/span><\/h1>\n<p class=\"card-text\">\u6cd5\u570b\u5df4\u9ece\u7b2c\u4e00\u5927\u5b78\u85dd\u8853\u5b78\u535a\u58eb<br \/>\n\u6cd5\u570b\u4e8c\u5341\u4e16\u7d00\u6587\u5b78\u3001\u8996\u89ba\u6587\u5316\u3001\u6cd5\u570b\u651d\u5f71\u53f2\u3001\u651d\u5f71\u6587\u5b78<br \/>\n<a href=\"mailto:severina@cc.ncu.edu.tw\">severina@cc.ncu.edu.tw<\/a><\/p>\n<hr \/>\n<h3>\u6700\u9ad8\u5b78\u6b77 Dipl\u00f4mes<\/h3>\n<p style=\"padding-left: 40px;\">\u6cd5\u570b\u5df4\u9ece\u7b2c\u4e00\u5927\u5b78\u85dd\u8853\u5b78\u535a\u58eb<br \/>\nDoctorat en Arts et Sciences de l\u2019Art, Universit\u00e9 Paris I, Paris, FRANCE<\/p>\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<strong> \u00a0<span style=\"font-size: 12pt;\">\u5b78\u4f4d\u8ad6\u6587<\/span><\/strong><\/p>\n<p style=\"padding-left: 40px;\">\u2022 1995\u5e74\uff0c\u535a\u58eb\u8ad6\u6587\uff1a\u300a\u651d\u5f71\u5275\u4f5c\u4e2d\u7684\u5bb6\u5ead\u8207\u651d\u5f71\u300b(La Photographie de famille comme oeuvre photographique)\u00a0<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1987\u5e74\uff0c\u78a9\u58eb\u8ad6\u6587\uff1a\u300a\u651d\u5f71\u7684\u4e92\u6587\u6027\u300b(La Transtextualite dans la photographie)<\/p>\n<hr \/>\n<h3>\u5c08\u4efb\u8077\u7a31\u53ca\u6821\u7cfb\u6240<\/h3>\n<p style=\"padding-left: 40px;\">\u570b\u7acb\u4e2d\u592e\u5927\u5b78\u6cd5\u6587\u7cfb\u6559\u6388<br \/>\nProfessor, French Department ; National Central University, TAIWAN<br \/>\nProfesseure, D\u00e9partement de langue et literature fran\u00e7aises, Universit\u00e9 Nationale Centrale, TAIWAN<\/p>\n<hr \/>\n<h3>\u5c08\u9577\u9818\u57df Sp\u00e9cialit\u00e9s<\/h3>\n<p style=\"padding-left: 40px;\">\u6cd5\u570b\u4e8c\u5341\u4e16\u7d00\u6587\u5b78\u3001\u8996\u89ba\u6587\u5316\u3001\u6cd5\u570b\u651d\u5f71\u53f2\u3001\u651d\u5f71\u6587\u5b78<br \/>\nFrench Literature of the 20th century ; Visual Culture Study ; History of Photography in France ; Photo\/literature<\/p>\n<hr \/>\n<h3>\u5c08\u66f8\u8207\u671f\u520a\u8ad6\u6587\u51fa\u7248 Publications list<\/h3>\n<p style=\"padding-left: 40px;\">\u2022 2021\u5e745\u6708\uff0c \u00ab Perec\/Calvino, Cach\u00e9 et d\u00e9couvert \u00bb, Cahiers Georges Perec, No.14, L\u2019\u0153uvre-monde, Paris : Les Venterniers. (ISBN 979 10 27802 66 3) pp.335-349.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2020\u5e748\u6708\uff0c \u00ab Sing-Tien dans Anecdotes sur les esprits et les immortels (\u0153uvre de Hou Chung-Ming, artiste Ta\u00efwanais) . Une mythologie personnalis\u00e9e de l\u2019Insoumis \u00e0 partir d\u2019une source mythique de la Chine antique \u00bb , Connaissons-nous la Chine ? Academia-L\u2019Harmattan-s.a., Louvain-la-Neuve. (ISBN978-2-8061-0517-2) pp.215-229.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2020\u5e748\u6708, \u00abUn voyage en Chine pour conna\u00eetre RIEN ? \u00bb, Connaissons-nous la Chine ? Academia-L\u2019Harmattan-s.a., Louvain-la-Neuve. (ISBN978-2-8061-0517-2) pp.51-62.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2017\u5e749\u6708\uff0c\u3008\u7f85\u862d\u5df4\u7279\u7684\u8b1b\u5b78\u6559\u6750\uff1a\u6587\u672c\u751f\u6210\u7814\u7a76\u5c0d\u6587\u672c\u89c0\u4e4b\u555f\u609f\u3009 (Toward a New Perspective on the Text : Roland Barthes\u2019s Reflections on His Commitment to Teaching)\uff0c\u300a\u4e2d\u5916\u6587\u5b78\u300b(Chung Wai literary Quatery) \u7b2c46\u5377\uff0c\u7b2c3\u671f\uff0c2017\u5e749\u6708\u865f\uff0c\u9801187-216\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2016\u5e745\u6708\uff0c\u3008\u300c\u6b67\u7570\u300d\u4f5c\u70ba\u96fb\u5f71\u8996\u8b80\u4e4b\u5fc5\u8981\uff1a\u8a66\u8ad6\u300a\u9ed1\u8272\u7cfb\u5217\u300b\u7684\u96dc\u71f4\u98a8\u683c\u3009\uff0c\u300a\u5f71\u50cf\u8207\u5dee\u7570\uff1a\u8996\u89ba\u6587\u5316\u7814\u7a76\u8207\u653f\u6cbb\u300b\u3002\u53f0\u5317\u5e02\uff1a\u66f8\u6797\u51fa\u7248\uff0c2016\uff0c\u980141-69\u3002\uff08ISBN978-957-445-687-1\uff09<br \/>\n\u201cThe gaps opening inside : about the mixed language in \u00ab S\u00e9rie Noire \u00bb\u201d, <em>Image and Difference: Visual Cultural Studies and Politics<\/em>. Taipei : Bookman, 2016: 41-69.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2015\u5e746\u6708\uff0c\u3008\u9918\u5730\u3001\u9918\u5f71\u3001\u9918\u97f3\uff1a\u975e\u5730\u9ede\u3001\u65e5\u5e38\u751f\u6d3b\u66f8\u5beb\uff0c\u4ee5\u53ca\u6953\u601d\u74e6\u8283\u7684\u300a15021\u300b\u8207\u300a\u505c\u8eca\u5834\u300b\u3009\uff0c\u300a\u4e2d\u5916\u6587\u5b78\u300b\u7b2c44\u5377\uff0e\u7b2c2\u671f\uff0c2015\u5e746\u6708\u865f\uff0c\u980117-48\u3002<br \/>\n\u201cHaunting Place, Image and Sound : <em>Non-Lieux<\/em>, Everyday Life Writing, and Fran\u00e7ois Bon\u2019s <em>15021<\/em> and <em>Parking<\/em>\u00a0\u00bb, <em>Foreign Language Studies<\/em> \uff08June 2015\uff09\u00a0: 17-48.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2014\u5e7412\u6708\uff0c\u3008\u83ca\u3001\u9999\u6a59\u3001\u91d1\u76de\u82b1\uff0d\u5f9e\u300a\u83ca\u5b50\u592b\u4eba\u300b\u5230\u3008\u71b1\u60c5\u4e4b\u9aa8\u3009\u7684\u4e92\u6587\u8a66\u63a2\u3009\uff0c\u300a\u3010\u53f0\u7063\u73fe\u7576\u4ee3\u4f5c\u5bb6\u7814\u7a76\u8cc7\u6599\u5f59\u7de8\u301153\uff1a\u5289\u5436\u9dd7\u300b\u3002\u53f0\u5357\u5e02\uff1a\u570b\u7acb\u53f0\u7063\u6587\u5b78\u9928\uff0c2014\u5e7412\u6708\uff0c\u9801193-215\uff08ISBN978-986-04-3257-2\uff09\u3002\uff08\u672c\u6587\u901a\u904e\u533f\u540d\u5b78\u8853\u5be9\u67e5\uff09<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2014\u5e747\u6708\uff0c\u3008\u521d\u63a2\u4faf\u4fca\u660e\u85dd\u8853\u4f5c\u54c1\u4e2d\u7684\u6587\u672c\u751f\u6210\u6b77\u7a0b\u3009\uff0c\u300a\u4e2d\u5c71\u4eba\u6587\u5b78\u5831\u300b\u534a\u5e74\u520a\uff0c\u300c\u6587\u672c\u751f\u6210\u5b78\u5c08\u865f\u300d\uff0c\u570b\u7acb\u4e2d\u5c71\u5927\u5b78\u6587\u5b78\u9662\u51fa\u7248\u30022014\u5e747\u6708\uff0c\u7b2c37\u865f\u3002\u9801133-160\u3002\uff08ISSN1024-3631\uff09<br \/>\n\u201cEssai d\u2019observation g\u00e9n\u00e9tique des textes dans l\u2019art de Hou Chun-ming\u201d, Genetic Criticism Special Issue. <em>Sun Yat-sen Journal of Humanities<\/em> (July 2014)\u00a0: 133-160.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2013 \u5e7412\u6708\uff0c\u3008\u9650\u5b9a\u898f\u5247\u4e4b\u6587\u5b78\u7684\u7121\u9650\u7f8e\u5b78\u6f5b\u80fd\u3009\uff0c\u300a\u7121\u4f11\u6b62\u7684\u6230\u722d\uff0d\u738b\u6587\u8208\u4f5c\u54c1\u7d9c\u8ad6\uff08\u4e0b\uff09\u300b\uff0c\u53f0\u5927\u51fa\u7248\u4e2d\u5fc3\uff0c2013\u5e7412\u6708\u521d\u7248\uff0c\u9801189-218\uff08ISBN 978-986-03- 8919-7\uff09\u3002<br \/>\n\u00ab Infinite Aesthetic Potentiality of Constrained Literature \u00bb, <em>Endless War\u2014Studies about works of Wang Wen-Hsin Vol.II.<\/em> National Taiwan University Publication Center, 2013: 189-218.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2013\u5e746\u6708\uff0c\u3008\u8a66\u5716\u6f5b\u5165\u57f9\u745e\u514b\u3008\u300c\u601d\u8003\/\u5206\u985e\u300d\u3009\u7684\u932f\u7d9c\u7db2\u7d61\u4e2d\u3009\uff0c\u300a\u4e2d\u5916\u6587\u5b78\u300b\u7b2c42\u5377\uff0e\u7b2c2\u671f\uff0c2013\u5e746\u6708\u865f\uff0c\u9801101-136\u3002<br \/>\n\u00ab Exploring into the Networks of Interwined lines in Georges Perec\u2019s Essay \u201cThink\/Classify\u201d \u00bb, <em>\u00a0<\/em><em>Foreign Language Studies<\/em> \uff08June 2013\uff09\u00a0: 101-136.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2013\u5e744\u6708\uff0c\uff08\u8207\u570b\u7acb\u806f\u5408\u5927\u5b78\u53f0\u7063\u8a9e\u6587\u8207\u50b3\u64ad\u7cfb\u76db\u93a7\u52a9\u7406\u6559\u6388\u5408\u64b0\uff09\u3002\u3008\u793e\u6703\u3001\u6b77\u53f2\u3001\u8a9e\u8a00\uff1a\u8cf4\u548c\u7684\u3008\u4e00\u687f\u300c\u7a31\u5b50\u300d\u3009\u8207\u6cd5\u6717\u58eb\u7684\u3008\u514b\u62c9\u683c\u6bd4\u3009\u3009\uff0c\u300a\u8de8\u6642\u7a7a\u7684\u6587\u5316\u5c0d\u8a71\uff08\u4e0a\uff09\u2014\u5f71\u97ff\u8207\u8f49\u8b6f\u300b\uff0c\u4e2d\u58e2\/\u53f0\u5317\uff1a\u4e2d\u592e\u5927\u5b78\u51fa\u7248\u4e2d\u5fc3\/\u9060\u6d41\uff0c2013\u3002\u980139-64\u3002\uff08ISBN 978-986-03-5886-5\uff09<br \/>\n\u00ab Soci\u00e9t\u00e9, histoire, et langues : une \u00e9tude comparative entre \u00ab Une Balance \u00bb de Lai-Ho et \u00ab Crainquebille \u00bb d\u2019Anatole France \u00bb \u00bb, <em>Dialogues transculturels franco-chinois\u00a0: vol. I, Influence et traduction. <\/em>\u00a0Centre de publication de l\u2019UNC\u00a0;Yuan-Liou Publication, 2013\u00a0: 39-64.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2012\u5e744\u6708\uff0c\u3008\u300c\u6211\u6c92\u6709\u7ae5\u5e74\u56de\u61b6\u300d\uff1a\u6211\u5c07\u5982\u4f55\u555f\u52d5\u66f8\u5beb\u3009\uff0c\u300a\u5728\u751f\u547d\u7121\u9650\u7dbf\u5ef6\u4e4b\u9593~\u7ae5\u5e74\uff0e\u8a18\u61b6\uff0e\u60f3\u50cf\u300b\uff0c\u570b\u7acb\u4e2d\u8208\u5927\u5b78\u3002\u53f0\u5317\uff1a\u66f8\u6797\u51fa\u7248\uff0c2012\u3002\u980115-47\u3002\uff08ISBN 978-957-445-463-1\uff09<br \/>\n\u00ab I Don\u2019t Have Childhood Memory : How Could I Start Writing ? \u00bb, <em>In the Infinite Duration of Life~ Childhood, Memory, Imagination.<\/em> Taipei: Bookman, 2012: 15-47.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2012\u5e744\u6708\uff0c\u3008\u5c0b\u627e\u300a\u660e\u5ba4\u300b\u4e2d\u7684\u3008\u672a\u4f86\u7684\u6587\u76f2\u3009\u2026\u3009\uff0c\u300a\u8fd1\u4ee3\u8096\u50cf\u610f\u7fa9\u7684\u8ad6\u8faf\u300b\u53f0\u7063\u806f\u5408\u5927\u5b78\u7cfb\u7d71\u6587\u5316\u7814\u7a76\u570b\u969b\u4e2d\u5fc3\u51fa\u7248\u7cfb\u5217\uff0c\u570b\u7acb\u967d\u660e\u5927\u5b78\u4eba\u793e\u9662\u8996\u89ba\u6587\u5316\u66f8\u7cfb\u3002\u53f0\u5317\uff1a\u9060\u6d41\u51fa\u7248\uff0c2012\u3002\u9801318-345\u3002\uff08ISBN978-957-32-6974-8\uff09\uff08\u672c\u6587\u901a\u904e\u533f\u540d\u5b78\u8853\u5be9\u67e5\uff09<br \/>\n\u201cIn Search of \u201cthe Future Analphabets\u201d in <em>Camera Lucida\u201d,<\/em> <em>Contesting the Meanings of Modern Portraiture<\/em>. Taipei : Yuan-Liou Publication, 2012. 318-345.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011\u5e74\uff0c\u3008\u56de\u61b6\u4e2d\u7684\u65e5\u5e38\u751f\u6d3b\uff1a\u5f9e\u4f2f\u96f7\u7d0d\u5fb7\u7684\u300a\u6211\u8a18\u5f97\u300b\u5230\u57f9\u745e\u514b\u7684\u300a\u6211\u8a18\u5f97\u300b\u3009\uff0c\u300a\u82f1\u7f8e\u6587\u5b78\u7814\u7a76\u300b\u7b2c18\u671f\uff0c2011\u5e746\u6708\uff0c\u98011-31\u3002<br \/>\n\u201cEveryday life in the Memory : From <em>I Remember<\/em> by Joe Brainard to <em>Je me souviens<\/em> by Georges Perec\u201d, <em>Review of English and American Literature<\/em>\uff08June 2011\uff09\u00a0: 1-31.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011\u5e74\uff0c\u3008W\u5cf6\u7684\u904b\u52d5\u5bd3\u8a00\u8207\/\u6216\u7ae5\u5e74\u56de\u61b6\u3009\uff0c\u300a\u751f\u547d\u66f8\u5beb\u300b\u5c08\u66f8\uff08\u7d00\u5143\u6587\u3001\u674e\u6709\u6210\u4e3b\u7de8\uff09\uff0c\u4e2d\u592e\u7814\u7a76\u9662\u6b50\u7f8e\u7814\u7a76\u6240\uff0c2011\u5e743\u6708\uff0c\u9801367-404\u3002<br \/>\n\u201cW island as a Sport fable : and \/ or the childhood recollection\u201d, <em>Life Writing<\/em>\uff08March 2011\uff09\u00a0: 367-404.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011\u5e74\uff0c\u3008\u65e5\u5e38\u8207\u7121\u5e38\uff1a\u8b80\u5df4\u7279\u300a\u670d\u55aa\u65e5\u8a18\u300b\u3009\uff0c\u300a\u4e2d\u5916\u6587\u5b78\u300b\u7b2c40\u5377\u7b2c1\u671f2011\u5e743\u6708\uff0c\u9801145-177\u3002<br \/>\n\u00ab Discourse about the Vicissitudes of Life vs. Everyday Life: <em>The Mourning Diary <\/em>by Roland Barthes\u201d, <em>Chung Wai Literary Quarterly<\/em>\uff08March 2011\uff09: 145-177.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011\u5e74\uff0c\u3008\u5bc4\u751f\u5728\u65e5\u5e38\u751f\u6d3b\u4e2d\uff1a\u300a\u4e00\u500b\u7761\u89ba\u7684\u4eba\u300b\u830d\u6d3b\uff08\u7121\uff09\u7d93\u9a57\u7684\u5982\u6b4c\u5beb\u7167\u3009\uff0c\u300a\u8b8a\/\u9077\/\u7559\/\u8f49\uff1a\u8996\u57df\u4e4b\u5f91\u300b\u3002\u53f0\u5317\uff1a\u66f8\u6797\u51fa\u7248\uff0c2011\u3002\u9801115-141\u3002\uff08ISBN989-957-445-433-4\uff09<br \/>\n\u201cWalking from Novel to Film : <em>A Man who sleeps<\/em> by G. Perec and B. Queysanne\u201d, <em>Stir\/Still: Approaching the Field of Vision<\/em>. Taipei : Bookman, 2011 : 115-141.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011 , \u00ab Une image de la Chine au sueil de la modernit\u00e9 dans <em>Note sur quelques aspects de la photographie<\/em> par Lu Xun\u00a0: une lecture trantextuelle\u2019, <em>Rencontres Orient-Occident No\u00a0.13, Entre Mer de Chine et Europe<\/em>. Louvain-La Neuve\u00a0: Academia, l\u2019Harmattan\u00a0: 2011. pp\u00a0.165-180. (ISBN978-2-8061-0038-2\uff09<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2010\u5e74\uff0c\u3008\u5bc4\u751f\u5728\u65e5\u5e38\u751f\u6d3b\u4e2d\uff1a\u300a\u4e00\u500b\u7761\u89ba\u7684\u4eba\u300b\u830d\u6d3b\uff08\u7121\uff09\u7d93\u9a57\u7684\u5982\u6b4c\u5beb\u7167\u3009\uff0c\u4e2d\u5927\u300a\u85dd\u8853\u5b78\u7814\u7a76\u300b\u671f\u520a\uff0c2010\u5e7411\u6708\uff0c\u9801183-212\u3002<br \/>\n\u201cWalking from Novel to Film : <em>A Man who sleeps<\/em> by G. Perec and B. Queysanne\u201d, <em>NCU Jouranl of Art Studies<\/em> \uff08November 2010\uff09\u00a0: 183-212.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2010\u5e74\uff0c\u3008\u300a\u74b0\u6cd5\u81ea\u884c\u8eca\u5927\u8cfd\u4e00\u5982\u53f2\u8a69\u300b&#8212;\u8a66\u8ad6\u7f85\u862d\u5df4\u7279\u7684\u795e\u8a71\u89e3\u6790\u66f8\u5beb\u3009\uff0c\u300a\u4e2d\u5927\u4eba\u6587\u5b78\u5831\u300b2010\u5e741\u6708\u865f\uff0c\u980165-92\u3002<br \/>\n\u201cThe French Tour as an Epic\u201d\u2500Roland Barthes and his Mythological Writing<em> National Central University Journal of Humanities<\/em>\uff08January 2010\uff09\u00a0: 65-92.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2009\u5e74\uff0c\u3008\u91cd\u63a2V-10\u6614\u65e5\u5c55\u7684\u5e7e\u500b\u300c\u73fe\u4ee3\u300d\u8eab\u5f71\u3009\uff0c\u300a\u89c0\u5c55\u770b\u5f71\uff0d\u83ef\u6587\u5730\u5340\u8996\u89ba\u6587\u5316\u7814\u7a76\u300b\uff0c\u53f0\u5317\u5e02\uff0c\u66f8\u6797\u51fa\u7248\uff0c2009\u5e7412\u6708\uff0c\u9801125-140\u3002<br \/>\n\u201cSome modern profils in the V-10 group exhibitions\u201d, <em>Seeing Expo. Watching Films<\/em>\uff08December 2009\uff09: 125-140.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2009\u5e74\uff0c\u3008W\u5cf6\u7684\u904b\u52d5\u5bd3\u8a00\u8207\/\u6216\u7ae5\u5e74\u56de\u61b6\u3009\uff0c\u300a\u6b50\u7f8e\u7814\u7a76\u300b\u5b63\u520a\u7b2c\u4e09\u5341\u4e5d\u5377\u7b2c\u4e09\u671f\uff0c2009\u5e749\u6708\u3002\u9801413-454\u3002<br \/>\n\u201cW island as a Sport fable : and \/ or the childhood recollection\u201d, <em>EuroAmerica ( A Journal of European and American Studies)<\/em>\uff08September 2009\uff09\u00a0: 413-454.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2009\u5e74\uff0c\u3008\u5c0b\u627e\u300a\u660e\u5ba4\u300b\u4e2d\u7684\u3008\u672a\u4f86\u7684\u6587\u76f2\u3009\u3009\uff0c\u4e2d\u5927\u300a\u85dd\u8853\u5b78\u7814\u7a76\u300b\u671f\u520a\uff0c2009\u5e744\u6708\uff0c\u980153-85\u3002<br \/>\n\u201cIn Search of \u201cthe Future Analphabets\u201d in <em>Camera Lucida\u201d,<\/em><em> NCU Jouranl of Art Studies<\/em>\uff08April 2009\uff09: 53-85.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2008\u5e74\uff0c\u3008\u5df4\u7279\u5beb\u651d\u5f71\uff1a\u5f9e\u300a\u660e\u5ba4\u300b\u8b80\u300a\u5df4\u7279\u5beb\u5df4\u7279\u300b\u3009\uff0c\u300a\u4e2d\u5927\u4eba\u6587\u5b78\u5831\u300b2008\u5e741\u6708\uff0c\u980159-84\u3002<br \/>\n\u00ab Photography Writing by R. Barthes: Reading <em>roland Barthes by roland barthes<\/em> through <em>Camera Lucida<\/em>\u201d, <em>National Central University Journal of Humanities<\/em>.\uff08January 2008\uff09\u00a0: 59-84.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2007\u5e74\uff0c\u3008\u300c\u88ab\u5224\u8655\u7684\u5bb6\u9580\u300d\uff1a\u57f9\u745e\u514b\u7684\u300a\u5730\u9ede\u300b\u8a18\u61b6\u5b58\u6a94\u3009\uff0c\u300a\u5916\u570b\u8a9e\u6587\u7814\u7a76\u300b\u7b2c\u4e94\u671f\uff0c 2007\u5e741\u6708\uff0c\u980135-58\u3002<br \/>\n\u00ab \u00ab La Porte condamn\u00e9e \u00bb : Georges Perec\u2019s <em>Lieux\u00a0\/Places<\/em> as Memorial Archiving\u00a0\u00bb, <em>Foreign Language Studies<\/em> \uff08January 2007\uff09\u00a0: 35-58.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2006\u5e74\uff0c\u3008\u77e5\u8207\u884c\uff1a\u8a18\u5169\u6230\u4e4b\u9593\u651d\u5f71\u6c42\u77e5\u7684\u632b\u6557\u7d93\u9a57\u3009\uff0c\u300a\u4e2d\u5916\u6587\u5b78\u300b\uff0c2006\u5e7412\u6708\uff0c\u980137-71\u3002<br \/>\n\u00ab Cognition and Modern Photography of Between-wars : A Story of Defeat ? \u00bb, <em>Chung Wai Literary Quarterly<\/em>\uff08December 2006\uff09\u00a0: 37-71.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2006\u5e74\uff0c\u3008\u8b8a\u5316\u4e2d\u7684\u5bb6\u5ead\u5f62\u8c611970-1990\uff1a\u5feb\u62cd\u7167\u98a8\u683c\u8207\u651d\u5f71\u8ad6\u8ff0\u4e2d\u7684\u5bb6\u5ead\u984c\u6750\u3009\uff0c\u300a\u6587\u5316\u7814\u7a76\u300b\u5b78\u8853\u671f\u520a\u7b2c\u4e8c\u865f\uff0c2006\u5e743\u6708\uff0c\u98019-40\u3002<br \/>\n\u00ab Sweet Home&#8230; seen through Changing Images (1970-1990) : Snapshots Style and Family Theme in Photographic Discourses\u201d, <em>Router: A Journal of Cultural Studies <\/em>\uff08March 2006\uff09\u00a0: 9-40.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2006\u5e74\uff0c\u3008\u57ce\u5e02\u7269\/\u8a9e\u9041\u8d70\u66f2\uff1a\u57f9\u745e\u514b\u7684\u300a\u9003\u5bb6\u5730\u9ede\u300b\u3009\uff0c\u300a\u4e2d\u5916\u6587\u5b78\u300b\u7b2c\u4e09\u5341\u56db\u5377\u7b2c\u4e5d\u671f\uff0c2006\u5e742\u6708\uff0c\u9801 183-212\u3002<br \/>\n\u201cWords and Things Fugue of a City Story : \u00ab Les Lieux d\u2019une fugue \u00bb by Georges Perec\u201d, <em>Chung Wai Literary Quarterly<\/em>\uff08fevrier 2006\uff09\u00a0: 183-212.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2003\u5e74\uff0c\u3008\u9b6f\u8fc5\u5beb\u651d\u5f71\u3009\uff0c\u300a\u756b\u4e2d\u6709\u8a71\uff1a\u8fd1\u4ee3\u4e2d\u570b\u7684\u8996\u89ba\u8868\u8ff0\u8207\u6587\u5316\u69cb\u5716\u300b\u5b78\u8853\u8ad6\u6587\u96c6\uff0c\u4e2d\u7814\u9662\u8fd1\u53f2\u6240\uff0c2003\u5e7412\u6708\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2003\u5e747\u6708\uff0c\u3008\u6545\u4e8b\u88e1\u7684\u6b77\u53f2\uff0d\u95dc\u65bc\u300a\u8349\u300b\u7684\u5169\u5f35\u8001\u7167\u7247\u3009\uff0c\u300a\u4e16\u754c\u6587\u5b78\u300b\u7b2c8\u671f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2003\u5e74\uff0c\u3008\u651d\u5f71\u5275\u4f5c\u3001\u5bb6\u5ead\u3001\u5973\u6027\u2500\u2500\u89d2\u8272\u7684\u5c0b\u601d\uff0c\u5f62\u50cf\u7684\u5efa\u7acb\u3009\u300a\u5973\u6027\u5fc3\/\u9748\u4e4b\u65c5&#8212;\u5973\u65cf\u50b7\u75d5\u8207\u908a\u754c\u66f8\u5beb\u300b\u8ad6\u6587\u96c6\uff0c\u53f0\u5317\u5e02\uff1a\u5973\u66f8\u5e97\uff0c2003\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2002\u5e7410\u6708\uff0c\u3008\u61f6\u4eba\u7684\u5bc6\u8b00\uff0d\u5f9e\u5716\u68ee\u7684\u5c0f\u8aaa\u300a\u7167\u76f8\u6a5f\u300b\u8ac7\u300c\u5f1b\u8edf\u300d\u7684\u4e16\u754c\u89c0\u3009\uff0c\u300a\u4e16\u754c\u6587\u5b78\u300b\u7b2c5\u671f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2002\u5e74\uff0c\u3008\u4f3c\u66fe\u76f8\u8b58\uff0c\u908a\u60f3\u908a\u756b\uff1a\u5df4\u7279\u8207\u53f2\u5766\u8c9d\u514b\u7684All except you\u3009\uff0c\u300a\u4e2d\u5916\u6587\u5b78\u300b\u7b2c\u4e09\u5341\u5377\u7b2c\u5341\u4e00\u671f\uff0c2002\u5e744\u6708\u865f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2001\u5e743\u6708\uff0c\u3008\u53f0\u7063\u651d\u5f71\u8207\u300c\u4e2d\u570b\u300d\u7b26\u865f\u521d\u63a2\u2500\u2500\u5728\u4e0d\u5728\uff1a\u7b26\u865f\u5728\u54ea\u88e1\uff1f\u300c\u4e2d\u570b\u300d\u5728\u54ea\u88e1\uff1f\u3009\uff08\u516b\u5341\u516d\u5e74\u5ea6\u570b\u79d1\u6703\u535a\u58eb\u5f8c\u7814\u7a76\u8ad6\u6587\uff0c\u8a08\u5283\u7de8\u865f\uff1aNSC87-2811-H-030-0001\uff09\uff0c\u300a\u4ed6\u8005\u4e4b\u57df\uff1a\u6bd4\u8f03\u6587\u5b78\u8207\u6587\u5316\u7814\u7a76\u53e2\u66f8\u300b\uff08\u8f14\u5927\u6bd4\u7814\u6240\u5289\u7d00\u8559\u4e3b\u7de8\uff09\u30022000\u5e746\u6708\uff0c\u300a\u73fe\u4ee3\u7f8e\u8853\u300b\uff08\u53f0\u5317\u5e02\u7acb\u7f8e\u8853\u9928\uff09\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1999\u5e74\uff0c\u3008\u7834\u93e1\u88e1\u982d\u5c0b\u5148\u7956\uff1f\u2500\u8ac7\u53f0\u7063\u5bb6\u65cf\u76f8\u7247\u7684\u8b8a\u9014\u6216\u518d\u751f\u3009\u300a\u4e2d\u5916\u6587\u5b78\u671f\u520a\u300b\uff0c2000\u5e747\u6708\u865f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1999\u5e74\uff0c\u3008\u300c\u4ee4\u6211\u8457\u8ff7\u7684\u662f\uff0c\u5f8c\u982d\uff0c\u90a3\u5973\u50d5\u3002\u300d\u2014\u89c0\u95b1\u300a\u5df4\u7279\u81ea\u8ff0\u300b\u4e00\u66f8\u7684\u5716\u50cf\u60f3\u50cf\u3009\uff0c\u300a\u6bd4\u8f03\u6587\u5b78\u8207\u6587\u5316\u7814\u7a76\u53e2\u66f8\u2500\u6846\u67b6\u5167\u5916\uff1a\u85dd\u8853\u3001\u6587\u985e\u8207\u7b26\u865f\u7586\u754c\u300b\uff08\u8f14\u5927\u6bd4\u7814\u6240\u5289\u7d00\u8559\u4e3b\u7de8\uff09\uff0c\u7b2c\u4e8c\u865f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1999\u5e74\uff0c\u3008\u67cf\u4fee\u65af\u3001\u6708\u4eae\u3001\u9435\u6876\u9a0e\u58eb\uff1a\u5982\u679c\u5728\u4e16\u7d00\u672b\uff0c\u6709\u4f4d\u4f5c\u5bb6\u2026\u2500\u2500\u8f15\u8b80\u5361\u723e\u7dad\u8afe\u300a\u7f8e\u570b\u8ab2\u7a0b\u300b(Lezioni Americane)\u88e1\u300c\u8f15\u300d\u6587\u7684\u56db\u91cd\u6587\u672c\u3009\uff0c\u300a\u4e2d\u5916\u6587\u5b78\u300b\uff0c\u7b2c\u4e8c\u5341\u516b\u5377\u7b2c\u516d\u671f330\u865f\uff0c1999\u5e7411\u6708\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1998\u5e74\uff0c\u3008\u300c\u4e8b\u5f8c\u975c\u4e0b\u4f86\uff0c\u4e0d\u7531\u81ea\u4e3b\u609f\u5f97\u4e00\u5f15\u5411\u76f2\u57df\u7684\u5c40\u90e8\u7d30\u7bc0\uff1f\u300d\u2014\u8ac7\u300a\u660e\u5ba4\u300b\u4e2d\u300c\u523a\u9ede\u300d\u7684\u5e7e\u500b\u5b9a\u7fa9\u77db\u76fe\u3009\u300a\u4e2d\u5916\u6587\u5b78\u300b\uff0c\u7b2c\u4e8c\u5341\u4e03\u5377\u7b2c\u56db\u671f316\u865f1998\u5e749\u6708\u3002<\/p>\n<hr \/>\n<h3>\u7814\u8a0e\u6703\u8ad6\u6587\u00a0<\/h3>\n<p style=\"padding-left: 40px;\">\u2022 2022\u5e745\u670828\u65e5\uff0c \u00ab Espace de discours, ou \u00ab ce que nous voyons, ce qui nous regarde \u00bb : Jeu de construction dans l\u2019\u0153uvre photographique de Ben K. Yu \u00bb\uff0cSurvivance des images, transdisciplinarit\u00e9 et transculturalit\u00e9, Colloque international,\u300c\u5f71\u50cf\u907a\u5b58\uff1a\u8de8\u9818\u57df\u8207\u8de8\u6587\u5316\u300d\u570b\u969b\u7814\u8a0e\u6703\uff0c\u570b\u7acb\u4e2d\u592e\u5927\u5b78\u6cd5\u6587\u7cfb\u8207\u6cd5\u570b\u91cc\u6602\u7b2c\u4e8c\u5927\u5b78\u4e3b\u8fa6\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2017\u5e7411\u67084\u65e5\uff0c \u00ab De la litt\u00e9rarit\u00e9 \u00e0 la civilit\u00e9 ou Tentative d\u2019\u00e9puisement d\u2019un lieu de civilit\u00e9 \u00bb, Transition au pays de la civilit\u00e9 ? Colloque international. \u300c\u8f49\u6e21\u81f3\u6587\u660e\u570b\u5ea6\uff1f\u300d\u570b\u969b\u7814\u8a0e\u6703\uff0c\u570b\u7acb\u4e2d\u592e\u5927\u5b78\u6cd5\u6587\u7cfb\u8207\u6cd5\u570b\u5df4\u9ece\u7b2c\u4e09\u5927\u5b78Mouvement Transitione\u7814\u7a76\u7fa4\u4e3b\u8fa6\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022\u00a02013\u5e7411\u670810\u65e5\uff0c\u3008\u5f35\u7fa9\u96c4\uff0c\u4e00\u4f4d\u53f0\u7063\u756b\u5bb6\u5728\u5df4\u9ece\u2014\u6d41\u6d6a\u751f\u6daf\u7684\u6700\u5f8c\u8eca\u7ad9\u3009\uff0c\u300c\u65e5\u5e38\u98a8\u60c5\u2014\u2014\u5f35\u7fa9\u96c4\u7e6a\u756b\u85dd\u8853\u5b78\u8853\u7814\u8a0e\u6703\u300d\u570b\u7acb\u81fa\u7063\u7f8e\u8853\u9928\u4e3b\u8fa6\u3002\u6536\u5165\u300a\u65e5\u5e38\u98a8\u60c5\uff1a\u5f35\u7fa9\u96c4\u7e6a\u756b\u85dd\u8853\u5b78\u8853\u7814\u8a0e\u6703\u8ad6\u6587\u96c6\u300b\uff0c\u570b\u7acb\u81fa\u7063\u7f8e\u8853\u9928\uff08ISBN\/ 978-986-04-0652-8\uff09\uff0c\u980199-145\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2013\u5e744\u67081\u65e5\uff0c \u201cEssai d\u2019observation g\u00e9n\u00e9tique des textes dans l\u2019art de Hou Chun-ming\u201d, Processus de cr\u00e9ation: les manuscrits chinois \u00e0 la lumi\u00e8re de la critique g\u00e9n\u00e9tique, Atelier international \/ ITEM &amp; Universit\u00e9 d\u2019Artois \/ Avril 2-3-4, 2013 (\u00ab Work in Progress: Chinese Manuscripts and Genetic Criticism \u00bb, International Workshop, ITEM and University of Artois, April 2-3-4, 2013)\u300c\u5f9e\u6587\u672c\u751f\u6210\u5b78\u770b\u4e2d\u6587\u624b\u7a3f\uff1a\u53f0\u6cd5\u5e7d\u862d\u8a08\u5283\u96d9\u908a\u7814\u8a0e\u6703\u300d\u6cd5\u570b\u5df4\u9ece\u53ca\u4e9e\u62c9\u65af\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2004\u5e745\u670814\u65e5\uff0c \u00abQuatre livres de Photolitt\u00e9rature sur le th\u00e8me de Paris publi\u00e9s \u00e0 l\u2019entre-deux-guerres \u00bb\uff0c\u767c\u8868\u65bc\u300c\u57ce\u5e02\u8207\u73fe\u4ee3\u6027\u300d\u570b\u969b\u5b78\u8853\u7814\u8a0e\u6703\u8ad6\u6587\u96c6\uff08\u6de1\u6c5f\u5927\u5b78\u6cd5\u6587\u7cfb\uff09\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2003\u5e7411\u67089\u65e5\uff0c\u3008\u91cd\u63a2V-10\u6614\u65e5\u5c55\u7684\u5e7e\u500b\u300c\u73fe\u4ee3\u300d\u8eab\u5f71\u3009\uff0c\u767c\u8868\u65bc\u300c\u56de\u9996\u53f0\u7063\u767e\u5e74\u651d\u5f71\u5e7d\u5149\uff1a\u53f0\u7063\u5f71\u50cf\u98a8\u683c\u8207\u651d\u5f71\u7279\u8cea\u7684\u8f49\u8b8a\u300d\u5b78\u8853\u7814\u8a0e\u6703\u8ad6\u6587\u96c6\uff0c\u4e2d\u83ef\u651d\u5f71\u6559\u80b2\u5b78\u6703\u3001\u570b\u7acb\u6b77\u53f2\u535a\u7269\u9928\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022\u00a02002\u5e7412\u670814\u65e5\uff0c\u3008\u4ee5\u683c\u8afe\u7684\u300a\u98a8\u683c\u6f14\u7df4\u300b\u70ba\u4f8b\uff1b\u5f9e\u4e92\u6587\u6027\u89c0\u9ede\u8ac7\u6cd5\u8a9e\u6559\u5b78\u8207\u6587\u5316\u5dee\u7570\u3009\uff08\u4e2d\u592e\u5927\u5b78\u3001\u8f14\u4ec1\u5927\u5b78\u4e3b\u8fa6\uff09\u300c\u53f0\u7063\u6cd5\u8a9e\u6587\u6559\u5b78\u5be6\u52d9\u7814\u8a0e\u6703\u20142002\u5e74\u300d\u8ad6\u6587\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2002\u5e743\u670817\u65e5\uff0c\u3008\u5f71\u50cf\u6587\u672c\u5206\u6790\u7684\u65b9\u6cd5\u8ad6\u2500\u2500\u4e92\u6587\u6027\u95b1\u8b80\u8207\u651d\u5f71\u7684\u5f8c\u8a2d\u601d\u8003\u3009\uff08\u4e2d\u83ef\u6c11\u570b\u651d\u5f71\u6559\u80b2\u5b78\u6703\u4e3b\u8fa6\uff092002\u570b\u969b\u651d\u5f71\u5c08\u984c\u5b78\u8853\u7814\u8a0e\u6703\u8ad6\u6587\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2000\u5e745\u670821\u65e5\uff0c\u3008\u300a\u660e\u5ba4\u300b\u8207\u300a\u5df4\u7279\u5beb\u5df4\u7279\u300b\u2500\u2500\u5f9e\u5f8c\u601d\u7d22\u3001\u53d6\u6d88\u91cd\u4f86\u3001\u4e8b\u5f8c\u56de\u60f3\u3009\uff0c\u7b2c\u4e8c\u5341\u56db\u5c46\u5168\u570b\u6bd4\u8f03\u6587\u5b78\u5b78\u8853\u6703\u8b70\u8ad6\u6587\uff0c\u4e2d\u592e\u5927\u5b78\u82f1\u6587\u7cfb\u4e3b\u8fa6\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1999\u5e7412\u670810\u65e5\uff0c\u3008\u651d\u5f71\u8207\u6587\u5b78\u7684\u8de8\u9818\u57df\u7814\u7a76\u521d\u63a2\u3009\uff08\u516b\u5341\u516b\u5e74\u5ea6\u570b\u79d1\u6703\u535a\u58eb\u5f8c\u7814\u7a76\u8ad6\u6587\u4e4b\u4e00\uff0c\u8a08\u5283\u7de8\u865f\uff1aNSC 89-2811-H-030-0001\uff09\uff08\u4e2d\u83ef\u6c11\u570b\u651d\u5f71\u6559\u80b2\u5b78\u6703\u4e3b\u8fa6\uff09\uff0c\u300a1999\u570b\u969b\u651d\u5f71\u5c08\u984c\u5b78\u8853\u7814\u8a0e\u6703\u8ad6\u6587\u96c6\uff1a\u53f0\u7063\u651d\u5f71\u6559\u80b2\u7684\u60f3\u50cf\u3001\u8ad6\u8ff0\u8207\u5be6\u8e10\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1998\u5e7412\u670813\u65e5\uff0c\u3008\u85cf\u5728\u795e\u8a71\u80cc\u5f8c\u7684\u651d\u5f71\uff1a\u7f85\u862d\u5df4\u7279\u5728\u300a\u795e\u8a71\u5b78\u300b\u88e1\u5c0d\u651d\u5f71\u5f71\u50cf\u7684\u61c9\u7528\u3009\uff08\u4e2d\u83ef\u6c11\u570b\u651d\u5f71\u6559\u80b2\u5b78\u6703\u4e3b\u8fa6\uff09\uff0c\u300a1998\u4e2d\u83ef\u651d\u5f71\u6559\u80b2\u5b78\u6703\u5b78\u8853\u7814\u8a0e\u6703\u8ad6\u6587\u96c6\uff1a\u53f0\u7063\u651d\u5f71\u7684\u8f49\u5411\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1997\u5e7412\u670821\u65e5\uff0c\u3008\u884c\u52d5\/\u85dd\u8853\/\u651d\u5f71\u2014\u5f9e\u73bb\u6771\u65af\u57fa\u7684\u4f5c\u54c1Reconstitution\u8ac7\u8d77\u3009\uff0c\u300a\u4e2d\u83ef\u651d\u5f71\u6559\u80b2\u5b78\u67031997\u5e74\u5c08\u984c\u5b78\u8853\u7814\u8a0e\u6703\u8ad6\u6587\u96c6\u300b\uff08\u4e2d\u83ef\u6c11\u570b\u651d\u5f71\u6559\u80b2\u5b78\u6703\u4e3b\u8fa6\uff09\u3002<\/p>\n<hr \/>\n<h3>\u5c08\u696d\u6027\u8a55\u8ad6\u6587\u7ae0 Critical Essays<\/h3>\n<p style=\"padding-left: 40px;\">\u2022 2022\u5e745\u6708\uff0c\u3008\u507d\u9589\u95dc\u3001\u771f\u5fae\u89c0\u7684\u651d\u5f71\u5275\u4f5c\u3009\uff0c\u300a\u6f2b\u904a\u85dd\u8853\u53f2\u300b(\u4e3b\u7de8\u66fe\u5c11\u5343)\u539f\u9ede\u51fa\u7248\uff0c2202\u5e745\u6708\u521d\u7248\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2021\u5e745\u6708\uff0c\u3008\u8a69\u50e7\u9762\u76ee \u6709\u5f62\u7121\u8c61\uff0c\u7121\u5f71\u6709\u50cf\u2014\u5468\u5922\u8776\u7684\u8096\u50cf\u7167\u3009\u300a\u806f\u5408\u6587\u5b78\u300b439\u671f\u3010\u5468\u5922\u8776\u767e\u5e74\u5c08\u8f2f\u3011\uff0c2021\u5e745\u6708\u865f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2020\u5e744\u6708\uff0c\u3008\u5206\u624b\uff1a\u651d\u5f71\u7684\u4f7f\u7528\u65b9\u6cd5\u3009\uff0c\u300a\u806f\u5408\u6587\u5b78\u300b426\u671f\uff0c2020\u5e744\u6708\u865f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2019\u5e749\u6708\uff0c\u3008\u6ce2\u5f71\uff0d\u5c0f\u5e8f\u3009\uff0c\u300a\u65e5\u5149\u7dbf\u7f8a\u300b\uff08\u8521\u7fd4\u4efb\u8457\uff09\u8a69\u96c6\u5e8f\u6587\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2019\u5e749\u6708\uff0c\u3008\u4eca\u65e5\uff0c\u300a\u795e\u8a71\u5b78\u300b\uff0c\u76f4\u5230\u660e\u5929\u904e\u5f8c\u3009\uff0c\u300a\u795e\u8a71\u5b78\u300b\u9ea5\u75302019\u65b0\u7248\u4e2d\u6587\u5168\u8b6f\u672c\u5c0e\u8b80\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2019\u5e743\u6708\uff0c\u3008\u6beb\u4e0d\u7336\u8c6b\u60f3\u5230\u7684\u4e09\u4f4d20\u4e16\u7d00\u6cd5\u570b\u4f5c\u5bb6\u3009\uff0c\u300a\u6587\u8a0a\u300b401\u865f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2019\u5e741\u6708\uff0c\u3008\u5beb\u5728\u66f8\u672b\uff0f\u5beb\u5728\u66f8\u672c\u7a7a\u9593\u4e4b\u5916\u3009\uff0c\u300a\u7a7a\u9593\u7269\u7a2e\u300b\u4e2d\u8b6f\u672c\u5c0e\u8b80\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2017\u5e746\u6708\uff0c\u3008\u5728\u53f0\u7063\uff0c\u5982\u4f55\u95b1\u8b80\u57f9\u745e\u514b\u7684\u300a\u7a7a\u9593\u7269\u7a2e\u300b\uff1a\u671f\u5f85\u4e2d\u6587\u8b6f\u4f5c\u51fa\u7248\u3009\uff0c\u53f0\u7063\u4eba\u6587\u5b78\u793e\u96fb\u5b50\u5831\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2016\u5e74\uff0c\u3008\u767e\u5e74\u597d\u5408\u6587\u5b78\u8207\u651d\u5f71\u62fc\u8cbc\u3009\uff0c\u300a\u806f\u5408\u6587\u5b78\u300b380\u671f\uff0c2016\u5e746\u6708\u865f\uff0c\u980164-67\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2015\u5e748\u6708\uff0c\u3008\u6211\u8207\u5361\u723e\u7dad\u8afe\u4f5c\u54c1\u4ea4\u6703\u7684\u5951\u6a5f\u3009\uff0c\u300a\u5370\u523b\u6587\u5b78\u751f\u6d3b\u8a8c\u300b\u7b2c11\u5377\u7b2c12\u671f144\u865f\u3002\u9801142\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2012\u5e7411\u6708\uff0c\u3008\u4eba\u5982\u4f55\u601d\u8003\u5206\u985e\u4eba\uff1a\u5f9e\u3008\u300c\u601d\u8003\u2215\u5206\u985e\u300d\u3009\u539f\u51fa\u8655\u671f\u520a\u8ac7\u8d77\u3009\uff0c\u53f0\u7063\u4eba\u6587\u5b78\u793e\u901a\u8a0a\u96fb\u5b50\u671f\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011\u5e7410-12\u6708\u865f\u7b2c149\u671f\uff0c\u3008\u4f5c\u5bb6\u57f9\u745e\u514b\u7684\u7d00\u9304\u7247\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u5b63\u520a\uff0c\u980145-52\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011\u5e741\u67081\u65e5\uff0c\u7b2c45\u865f\uff0c\u3008\u56de\u61b6\/\u8499\u592a\u5947\u3009\uff0c\u300aACT\u85dd\u8853\u89c0\u9ede\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2010\u5e747\u67081\u65e5\u7b2c43\u865f\uff0c\u3008\u770b\u5f35\u7167\u5802\u5f71\u4f5c\uff1a\u9006\u65c5\u6563\u8a18\u3009\uff0c\u300aACT\u85dd\u8853\u89c0\u9ede\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2010\u5e744\u67081\u65e5\u7b2c42\u865f\uff0c\u3008\u624b\u64fa\u54ea\u88e1\u597d\uff1f\u3009\uff0c\u300aACT\u85dd\u8853\u89c0\u9ede\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2010\u5e743\u6708\uff0c\u3008\u770b\u5f35\u7167\u5802\u5f71\u4f5c\uff1a\u9006\u65c5\u6563\u8a18\u3009\uff0c\u300a\u6b72\u6708\u2027\u98a8\u666f\u300b\u500b\u4eba\u651d\u5f71\u5c55\u5716\u9304\uff0c\u570b\u7acb\u4e2d\u592e\u5927\u5b78\u85dd\u6587\u4e2d\u5fc3\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2009\u5e741-3\u6708\u865f\u7b2c138\u671f\uff0c\u3008\u57f9\u745e\u514b\uff0c\u4e00\u4f4d\u6cd5\u570b\u4f5c\u5bb6\u7684\u96fb\u5f71\u7de3\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2008\u5e744\u6708\uff0c\u3008\u76ee\u4e4b\u6240\u53ca\u3002\u5fc3\u4e4b\u6240\u5411\u3009\uff0c\u300a\u6975\u975c\uff0d\u9673\u8d0a\u96f2\u651d\u5f71\u96c6\u300b\u5c08\u6587\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2005\u5e744-6\u6708\u865f\u7b2c123\u671f\uff0c\u3008\u5169\u6230\u671f\u9593\u7684\u5df4\u9ece\u57ce\u5e02\u5f71\u50cf\uff1a\u5f9e\u7149\u91d1\u8853\u5230\u53ec\u9b42\u8853\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2005\u5e741\u6708\uff0c\u3008\u6b6a\u6253\u6b63\u8457\u7684\u53f2\u8a71\u2500\u5beb\u5728\u300a\u66fc\u5716\u4e00\u8ce2\u5983\u300b\u66f8\u672b\u3009\uff0c\u300a\u66fc\u5716\u4e00\u8ce2\u5983\u300b\u66f8\u8a55\uff0c\u53f0\u5317\u5e02\uff1a\u9ea5\u7530\u51fa\u7248\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2004\u5e74\u79cb\u5b63\u865f\u7b2c121\u671f\uff0c\u3008\u6162\u6162\u770b\u3001\u770b\u6162\u6162\u3001\u592a\u7a7a\u6f2b\u904a\uff0c\u300c\u6bd4\u7d00\u9304\u7247\u9084\u6162\u300d\u4e5d\u5247\u5c0f\u8a18\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2004\u5e748\u6708\u865f\uff0c\u3008\u53f0\u7063\u4f5c\u5bb6\u651d\u5f71\u8096\u50cf\u2500\u2500\u5f9e\u6797\u67cf\u6a11\u62cd\u7684\u8449\u77f3\u6fe4\u8ac7\u8d77\u3009\uff0c\u300a\u4eca\u85dd\u8853\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2004\u5e74\u5b63\u520a\u79cb\u5b63\uff0c\u3008<em>2D or not 2D<\/em>\uff1a\u4fdd\u7f85\u2027\u5fb7\u7acb\u68ee\u52d5\u756b\u7247\u4e2d\u7684\u7a7a\u9593\u8207\u6558\u4e8b\u5206\u6790\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2003\u5e7412\u6708\u865f\u5275\u520a\u8086\u865f\uff0c\u3008\u5668\u76bf\u4e4b\u7f8e\uff1a\u5c0f\u6d25\u5b89\u4e8c\u90ce\u7684\u96fb\u5f71\u3009\uff0c\u300a\u5370\u523b\u6587\u5b78\u751f\u6d3b\u8a8c\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2003\u5e74\u79cb\u5b63117\u865f\uff0c\u3008\u5668\u76bf\u4e4b\u7f8e\uff1a\u5c0f\u6d25\u5b89\u4e8c\u90ce\u96fb\u5f71\u4e2d\u7684\u5bb6\u5ead\u3001\u548c\u5ba4\u8207\u6846\u93e1\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 \u00a02003\u5e749\u6708\u865f\uff0c\u3008\u95dc\u65bcV-10\u6614\u65e5\u5c55\u7684\u5e7e\u500b\u300c\u73fe\u4ee3\u300d\u8eab\u5f71\u3009\uff0c\u300a\u4eca\u85dd\u8853\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2003\u5e74\u6625\u5b63115\u865f\uff0c\u3008\u95dc\u65bc\u53f2\u5a01\u8332\u8c9d\u723e\u52d5\u756b\u97f3\u50cf\u7f8e\u5b78\u521d\u63a2\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2002\u5e74\u51ac\u5b63114\u865f\uff0c\uff08\u7d00\u9304\u7247\u8207\u6b77\u53f2\u7684\u53cd\u7701\u2500\u95dc\u65bc\u6b50\u4f5b\u65af\u7684\u300a\u54c0\u50b7\u8207\u60b2\u6190\u300b\uff09\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u5b63\u520a\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2002\u5e748\u6708No.103\uff0c\u3008\u5e36\u56de\u4f86\u7684\u73fe\u5834\uff0d\u95dc\u65bc\u300c\u6d88\u5931\u7fa4\u50cf\uff0d\u52de\u52d5\u8005\u7d00\u4e8b\u300d\u5468\u6176\u8f1d\u651d\u5f71\u500b\u5c55\u5c0f\u8a18\u3009\uff0c\u300a\u73fe\u4ee3\u7f8e\u8853\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2001\u5e74\u590f\u5b63108\u865f\uff0c\u3008\u6b4c\u8207\u884c\uff1a\u827e\u683c\u59ae\u2027\u5a03\u723e\u9054\u96fb\u5f71\u5c0f\u8a18\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2001\u5e744\u6708\u865f\uff0c\u3008\u8a2a\u5b89\u5fb7\u70c8\u2027\u99ac\u91d1\u5c3c\u8ac7\u6587\u5b78\u5275\u4f5c\u3009\uff0c\u300a\u806f\u5408\u6587\u5b78\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2001\u5e74\u51ac\u5b63106\u865f\uff0c\u3008\u97f3\u7b26\u8207\u868a\u5b50\uff1a\u4e00\u500b\u559c\u5287\u4fee\u8fad\u683c\u7684\u7b26\u865f\u89e3\u6790\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2001\u5e743\u6708\u865f\uff0c\u3008\u9670\u7ff3\u79ae\u8b9a\u3009\uff0c\u300a\u85dd\u8853\u5bb6\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 \u3008\u66f8\u8a55\uff1a\u300a\u63ee\u624b\u7684\u59ff\u52e2 \u770b\u2027\u4e0d\u898b\u2027\u5f35\u7167\u5802\u300b\uff08\u5433\u5fe0\u7dad\u8457\uff09\u3009\uff0c\u96fb\u5b50\u5831\u300a\u660e\u65e5\u5831\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2001\u5e742\u6708\u865f\uff0c\u3008\u963f\u80e1\u8036\u7684\u651d\u5f71\u4e09\u689d\u4ef6\u8aaa\u3009\uff0c\u300a\u85dd\u8853\u5bb6\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2000\u5e7412\u6708\u7b2c1\u7248\uff0c\u3008\u56de\u822a\u7684\u8001\u8239\u54e1\u2500\u2500\u300a\u611b\u6200\u6642\u5149\u300b\u5c0f\u5f15\u3009\uff0c\u300a\u611b\u6200\u6642\u5149\u300b\uff08\u99ac\u745f\u2027\u73ed\u7d10\u8457\uff09\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2000\u5e7412\u670826\u65e5\uff0c\u3008\u66f8\u8a55\uff1aAndre\u00ef Makine\u7684\u300a\u6cd5\u862d\u897f\u907a\u56d1\u300b\u3009\uff0c\u96fb\u5b50\u5831\u300a\u660e\u65e5\u5831\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2000\u5e7410\u6708\u865f\uff0c\u3008\u7121\u5f62\u4e4b\u4e2d\uff0c\u4eba\u5728\u53f0\u5317\u3009\uff0c\u300a\u806f\u5408\u6587\u5b78\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2000\u5e749\u670828\u65e5\uff0c\u3008\u5c0b\u8a2a\u706b\u5c71\u8207\u60c5\u4eba\u5011\uff1a\u8607\u73ca\u2027\u6851\u5854\u683c\u7684\u300a\u706b\u5c71\u60c5\u4eba\u300b\u3009\uff0c\u300a\u4e2d\u6642\u958b\u5377\u7248\u300b\uff0c\u597d\u66f8\u699c\u66f8\u8a55\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2000\u5e747\u6708\uff0c\u3008\u54ea\u88e1\u4e0d\u8212\u670d\uff0c\u6216\u5982\u4f55\u7f6e\u8eab\u4e8b\u5916\u3009\uff0c\u300a\u5f35\u7f8e\u9675\u500b\u5c55\u300c\u4f60\u54ea\u88e1\u4e0d\u8212\u670d\uff1f\u300d\u300b\uff0c\u5e1d\u9580\u85dd\u8853\u6559\u80b2\u57fa\u91d1\u6703\u5c55\u89bd\u5716\u9304\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1999\u5e74\u51ac\u5b63\u865f102\u865f\uff0c\u3008\u77ed\u7247\u300a\u79c0\u62c9\uff1a\u5149\u4e4b\u570b\u5ea6\u300b\u89c0\u5f8c\u611f\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u7b2c\u5341\u516b\u5377\u7b2c\u4e8c\u671f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1999\u5e74\u79cb\u5b63\u865f101\u865f\uff0c\u3008\u8b80\u7f85\u4f2f\u2027\u5e03\u70c8\u677e\u7684\u300a\u96fb\u5f71\u66f8\u5beb\u672d\u8a18\u300b\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\u7b2c\u5341\u516b\u5377\u7b2c\u4e00\u671f\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1999\u5e7411\u670810\u65e5\uff0c\u3008\u7121\u9650\u98a8\u666f\u7684\u904a\u6232\uff1a\u6e6f\u7687\u73cd\u7684\u300a\u6211\u53bb\u65c5\u884c\u300b\u3009\uff0c\u300a\u81ea\u7531\u6642\u5831\u300b\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1998\u5e74\uff0c\u3008\u900f\u904e\u96fb\u5f71\u5f71\u50cf\u77a5\u898b\u7684\u6642\u9593\uff1a\u8b80\u514b\u6d1b\u5fb7\u2027\u897f\u8499\u7684\u5c0f\u8aaa\u300a\u8349\u300b\u7684\u5e7e\u500b\u7247\u6bb5\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u300b\uff0c\u7b2c\u5341\u516d\u5377\u7b2c\u4e94\u671f\u7e3d\u865f\u4e5d\u5341\u4e94\u865f\uff0c\u3010\u5c08\u984c\uff1a\u6cd5\u570b\u96fb\u5f71\u8207\u6587\u5b78\u3011\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1998\u5e746\u670815\u65e5\uff0c\u3008\u671f\u76fc\u5f71\u50cf\u7406\u8ad6\u7684\u591a\u6e90\u5c0d\u8a71\u2500\u2500\u8ac7\u8607\u73ca\u5b8b\u59b2\u7684\u300a\u8ad6\u651d\u5f71\u300b\u4e2d\u8b6f\u672c\u51fa\u7248\u3009\uff0c\u300a\u806f\u5408\u5831\u300b\uff08\u8b80\u66f8\u4eba\u7248\uff09\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 1995\u5e741\u6708\u521d\u7248\uff0c\u3008\u696d\u9918\u980c\uff1a\u95dc\u65bc\u7f85\u862d\u5df4\u7279\u8207\u300a\u660e\u5ba4\u300b\u4e00\u66f8\u3009\uff0c\u300a\u660e\u5ba4\u2014\u651d\u5f71\u672d\u8a18\u300b\uff0c\u53f0\u5317\uff1a\u81fa\u7063\u651d\u5f71\u5b63\u520a\u3002<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3>\u6587\u5b78\u5275\u4f5c\u5c08\u66f8 Literary Work<\/h3>\n<p style=\"padding-left: 40px;\">\u2022 2001\u5e741\u6708\u521d\u7248\uff0c\u300a\u7cd6\u8863\u8207\u6728\u4e43\u4f0a\u300b\u651d\u5f71\u8207\u6587\u5b78\u96a8\u7b46\uff08\u300a\u65b0\u671d\u85dd\u8853\u300b\u5c08\u984c\u7cfb\u5217\u6587\u7ae0\u5408\u96c6\uff09\u3002\u53f0\u5317\uff1a\u7f8e\u5b78\u66f8\u623f\u3002<\/p>\n<hr \/>\n<h3>\u5c08\u66f8\u7de8\u64b0 Edition and Redaction<\/h3>\n<p style=\"padding-left: 40px;\">\u2022 2022\u5e746\u6708\uff0c\u300a\u53f0\u7063\u6587\u660e\u9032\u7a0b\u7684\u843d\u5be6\uff1a\u8a66\u8ad6\u798f\u723e\u6469\u6c99\u6587\u5b78\u5982\u4f55\u6210\u70ba\u6587\u660e\uff0f\u516c\u6c11\u6027\u7684\u8f49\u6e21\u8005\u300b\uff08\u845b\u5c39\u98a8\u3001\u8a31\u7dba\u73b2\u4e3b\u7de8\uff09\u570b\u7acb\u4e2d\u592e\u5927\u5b78\u4e2d\u5927\u51fa\u7248\u4e2d\u5fc3\u3001\u9060\u6d41\u51fa\u7248\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2020\u5e7411\u6708\uff0c\u300a\u81fa\u7063\u651d\u5f71\u5bb6\uff1a\u6e38\u672c\u5bec\u300b(\u7814\u7a76\u4e3b\u7de8\u517c\u4e3b\u7b46)\uff0c\u53f0\u4e2d\u5e02\uff1a\u570b\u7acb\u53f0\u7063\u7f8e\u8853\u9928\u3002 (ISBN 9789865321543)<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011\u5e74\uff08\u66fe\u5c11\u5343\u3001\u8a31\u7dba\u73b2\u4e3b\u7de8\uff09\u300a\u8b8a\/\u9077\/\u7559\/\u8f49\uff1a\u8996\u57df\u4e4b\u5f91\u300b\u8996\u89ba\u6587\u5316\u7814\u7a76\u8ad6\u6587\u96c6\u5c08\u66f8\uff0c\u53f0\u5317\uff1a\u66f8\u6797\u51fa\u7248\uff0c2011\u3002\uff08ISBN989-957-445-433-4\uff09<\/p>\n<hr \/>\n<h3>\u7ffb\u8b6f\u8457\u4f5c Translation from French to Chinese<\/h3>\n<p style=\"padding-left: 40px;\">\u20222024\u5e744\u6708\u65b0\u8b6f\u7248\uff0c\u300a\u660e\u5ba4\u2014\u651d\u5f71\u672d\u8a18\u300b\uff08<em>La Chambre Claire\u2014note sur la photographie<\/em>\uff09\uff0c\u7f85\u862d\u5df4\u7279\u8457\u3002\u53f0\u5317\uff1a\u6642\u5831\u6587\u5316\u51fa\u7248\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u20222019\u5e741\u6708\uff0c\u300a\u7a7a\u9593\u7269\u7a2e\u300b\uff08Esp\u00e8ces d\u2019espaces\uff09\uff0c\u57f9\u745e\u514b\u8457\uff0c\u53f0\u5317\uff1a\u9ea5\u7530\u51fa\u7248\u793e\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u20222014\u5e7412\u6708\uff0c\u300a\u50ad\u5175\u968a\u9577\u300b\uff08Le Condotti\u00e8re\uff09\uff0c\u57f9\u745e\u514b\u8457\uff0c\u53f0\u5317\uff1a\u884c\u4eba\u6587\u5316\u5be6\u9a57\u5ba4\u51fa\u7248\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u20222011\u5e744\u6708\uff0c\u300aW\u6216\u7ae5\u5e74\u56de\u61b6\u300b\uff08W ou le souvenir d\u2019enfance\uff09\uff0c\u57f9\u745e\u514b\u8457\u3002\u53f0\u5317: \u806f\u5408\u6587\u5b78\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u20221998\u5e741\u6708\u521d\u7248\uff0c\u300a\u8fce\u5411\u9748\u5149\u6d88\u901d\u7684\u5e74\u4ee3\u300b\uff0c\u83ef\u7279\u73ed\u96c5\u660e\u8457\u3002\u53f0\u5317\uff1a\u81fa\u7063\u651d\u5f71\u5de5\u4f5c\u5ba4\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u20221997\u5e7412\u6708\u4fee\u8a02\u7248\uff0c\u300a\u660e\u5ba4\u2014\u651d\u5f71\u672d\u8a18\u300b\uff08La Chambre Claire\u2014note sur la photographie\uff09\uff0c\u7f85\u862d\u5df4\u7279\u8457\u3002\u53f0\u5317\uff1a\u81fa\u7063\u651d\u5f71\u5b63\u520a\uff0c1995\u5e741\u6708\u521d\u7248\u3002\u53f0\u5317\uff1a\u81fa\u7063\u651d\u5f71\u5de5\u4f5c\u5ba4\u3002<\/p>\n<p style=\"padding-left: 40px;\">\u20221997\u5e7412\u6708\u521d\u7248\uff0c\uff08\u5408\u8b6f\uff09\u300a\u795e\u8a71\u5b78\u300b\uff08Mythologies\uff09\uff0c\u7f85\u862d\u5df4\u7279\u8457\u3002\u53f0\u5317\uff1a\u6842\u51a0\u5716\u66f8\u516c\u53f8\u3002<\/p>\n<hr \/>\n<h3>\u6307\u5c0e\u78a9\u58eb\u751f\u7562\u696d\u53ca\u5176\u8ad6\u6587\u540d\u55ae Direction of Master thesis (from 2002-)<\/h3>\n<p style=\"padding-left: 40px;\">\u2022 2023\u5e741\u670812\u65e5\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u9ec3\u664f\u67cf\u78a9\u58eb\u8ad6\u6587\u300a\u6d3e\u5c48\u514b\u2022\u8499\u8fea\u5b89\u8afe \u300a\u5728\u9752\u6625\u8ff7\u5931\u7684\u5496\u5561\u9928\u300b\u6558\u4e8b\u3001\u79c1\u5bc6\u6027\u8207\u9b45\u5f71\u7a7a\u9593\u4e4b\u7814\u7a76\u300b(L\u2019espace narratif, intime et fantomatique dans Dans le caf\u00e9 de la jeunesse perdue de Patrick Modiano)<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2017\u5e741\u670813\u65e5\uff0c\u4e2d\u5927\u6cd5\u6587\u7cfb\u90ed\u4fca\u9038\u78a9\u58eb\u8ad6\u6587\uff0c\u300a2017\u5e741\u670813\u65e5\uff0c\u4e2d\u5927\u6cd5\u6587\u7cfb\u90ed\u4fca\u9038\u78a9\u58eb\u8ad6\u6587\uff0c\u300a\u9b41\u5317\u514b\u5c0e\u6f14\u897f\u8499\uff0e\u6ce2\u91cc\u723e\u4e4b\u7d00\u9304\u7247\u300a \u7c73\u5b8f\uff1a\u57df\u5916\u6b78\u8fd4\u4e4b\u4eba \u300b\u7814\u7a76\u300b\uff08\u00c9tude sur Miron : un homme revenu d\u2019en dehors du monde, l\u2019essai documentaire qu\u00e9b\u00e9cois r\u00e9alis\u00e9 par Simon Beaulieu\uff09<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2016\u5e744\u67088\u65e5\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u9ec3\u74bf\u57fa\u78a9\u58eb\u8ad6\u6587\u300c\u300a\u611b\u60c5\u6301\u7e8c\u4e09\u5e74\u300b\uff1a\u4e00\u90e8\u5411\u695a\u6d6e\u3001\u9ad8\u9054\u3001\u5fb7\u7c73\u81f4\u656c\u7684\u4f5c\u8005\u96fb\u5f71\u300d\uff08<em>L<\/em><em>\u2019amour dure trios ans<\/em>: un film d\u2019auteur en hommage \u00e0 Fran\u00e7ois Truffaut, Jean-Luc Godard et Jacques Demy\uff09<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2014\u5e747\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u5deb\u51a0\u84c9\u78a9\u58eb\u8ad6\u6587\u300c\u7576\u4ee3\u300e\u93e1\u82b1\u7de3\u300f\u2014\u2014\u8521\u660e\u4eae\u96fb\u5f71\u300a\u81c9\u300b\u7684\u300e\u54c0\u60bc\u65e5\u8a18\u300f\u300d<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2013\u5e747\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u6797\u66f8\u5aba\u78a9\u58eb\u8ad6\u6587\u300c\u54c0\u60bc\u96fb\u5f71\uff1a\u300e132\u7701\u9053\u300f\u82072000\u5e74\u5f8c\u9b41\u5317\u514b\u96fb\u5f71\u4e2d\u7684\u54c0\u60bc\u300d\uff08Cin\u00e9ma de\/en deuil : <em>Route 132<\/em> et la repr\u00e9sentation du deuil dans le cin\u00e9ma qu\u00e9b\u00e9cois \u00e0 partir de l\u2019an 2000\uff09<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2012\u5e747\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u838a\u83c0\u5a77\u78a9\u58eb\u8ad6\u6587\u300c\u7d0d\u5854\u8389\u2027\u85a9\u4faf\u7684\u300a\u7ae5\u5e74\u300b\uff1a\u5728\u300a\u751f\u6b7b\u4e4b\u9593\u300b\u8d70\u51fa\u7684\u6587\u5b78\u4e4b\u8def\u300d\uff08<em>Enfance<\/em>, vocation litt\u00e9raire <em>Entre la vie et la mort<\/em> de Nathalie Sarraute\uff09<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2011\u5e741\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u6731\u59ff\u7a4e\u78a9\u58eb\u8ad6\u6587\u300c\u5948\u74e6\u723e\u77ed\u7bc7\u5c0f\u8aaa\u300a\u5e0c\u8587\u300b\u4e2d\u7684\u97f3\u6a02\u8207\u97f3\u6a02\u6027\u7814\u7a76\u300d<br \/>\n\uff082011\/01\uff09Tzu-ying Chu, master of the French Institute, National Central University. \u201cLa musique et la musicalit\u00e9 dans <em>Sylvie<\/em>de G\u00e9rard de Nerval\u201d<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2010\u5e747\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u674e\u96c5\u6148\u78a9\u58eb\u8ad6\u6587\u300c\u300a\u5411\u6027\u300b\u8207\u8d85\u8d8a\u5411\u6027\uff1a\u63a2\u8a0e\u85a9\u6d1b\u7279\u5c0d\u611f\u53d7\u63cf\u7e6a\u7684\u6f14\u8b8a\u300d<br \/>\n\uff082010\/07\uff09Ya-tzu Lee, master of the French Institute, National Central University. \u201c<em>Tropismes <\/em>et au-del\u00e0 du tropisme : les sensations comme enfantement de la parole chez Nathalie Sarraute\u201d<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2010\u5e747\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u738b\u9234\u5100\u78a9\u58eb\u8ad6\u6587\u300c\u8ad6\u5de6\u62c9\u7684\u5c0f\u8aaa\u300a\u5a66\u5973\u6a02\u5712\u300b\uff1a\u73fe\u4ee3\u5e78\u798f\u7684\u7bc9\u5922\u8207\u9010\u5922\u300d<br \/>\n\uff082010\/07\uff09Lin-i Wang, master of the French Institute, National Central University. \u201c<em>Au bonheur des dames <\/em>d\u2019Emile Zola :La fabrique et la poursuite du bonheur moderne\u201d.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2008\u5e741\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u5f35\u7dba\u7d0b\u78a9\u58eb\u8ad6\u6587\u300c\u5df4\u723e\u624e\u514b\u8207\u5c0f\u88c1\u7e2b\uff1a\u4e00\u5247\u570b\u5bb6\u5bd3\u8a00\uff1f\u300d<br \/>\n\uff082008\/01\uff09Chi-wen Chang, master of the French Institute, National Central University. \u201cBalzac et la Petite Tailleuse chinoise : une all\u00e9gorie nationale ?\u201d<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2007\u5e746\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u5f35\u96c5\u5a77\u78a9\u58eb\u8ad6\u6587\u300c\u970d\u683c\u91cc\u8036\u300a\u91cd\u73fe\u7684\u93e1\u5b50\u300b\uff1a\u4e92\u6587\u5c64\u9762\u7684\u93e1\u5b50\uff1f\u300d<br \/>\n\uff082007\/06\uff09Ya-Ting Chang, master of the French Institute, National Central University. \u201cLe Miroir qui revient d\u2019Alain Robbe-Grillet : quel miroir au niveau intertextuel ?\u201d<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2007\u5e746\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u674e\u73a5\u5a77\u78a9\u58eb\u8ad6\u6587\u300c\u95dc\u65bc\u5b89\u6771\u5c3c\u2027\u8056\u4fee\u4f2f\u91cc\u300a\u5c0f\u738b\u5b50\u300b\u7684\u904a\u6232\u6027\u7814\u7a76\u300d<br \/>\n\uff082007\/06\uff09Yueh-Ting Lee, master of the French Institute, National Central University. \u201cEtude sur les \u00e9l\u00e9ments ludiques autour du <em>Petit Prince <\/em>d\u2019Antoine de Saint-Exup\u00e9ry\u201d.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2006\u5e741\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u8521\u4ec1\u5bcc\u78a9\u58eb\u8ad6\u6587\u300c\u7570\u570b\u5f62\u8c61\u63a2\u8a0e\uff1a\u51e1\u723e\u7d0d\u7684\u300a\u4e00\u500b\u4e2d\u570b\u4eba\u5728\u4e2d\u570b\u7684\u82e6\u96e3\u4e4b\u65c5\u300b\u300d<br \/>\n\uff082006\/01\uff09Jen-Fu Tsai, master of the French Institute, National Central University. \u201cImage Exotique dans les <em>Tribulations d\u2019un Chinois en Chine <\/em>de Jules Verne\u201d.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2005\u5e7410\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u9ec3\u8587\u84c1\u78a9\u58eb\u8ad6\u6587\u300c\u4e00\u5834\u8ffd\u5c0b\u81ea\u6211\u8207\u70cf\u6258\u90a6\u7684\u65c5\u7a0b\u300d<br \/>\n\uff082005\/10\uff09Wei-Chen HUANG, master of the French Institute, National Central University. \u201cUne odyss\u00e9e vers le soi et vers l\u2019utopie lecl\u00e9zien\u201d.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2005\u5e746\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u738b\u79cb\u742a\u78a9\u58eb\u8ad6\u6587\u300c\u83ab\u6cca\u6851\u77ed\u7bc7\u5c0f\u8aaa\u4e2d\u7684\u300e\u5993\u5973\u300f\u985e\u578b\u7814\u7a76\u300d<br \/>\n\uff082005\/06\uff09Chou-Chi Wang, master of the French Institute, National Central University. \u201cLes Prostitu\u00e9es dans Le monde Maupasstien :Une \u00e9tude typologique sur les prostitu\u00e9es dans les contes et nouvelles de Guy de Maupassant\u201d.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2005\u5e745\u6708\uff0c\u4e2d\u5927\u6cd5\u6587\u6240\u67ef\u6613\u5c91\u78a9\u58eb\u8ad6\u6587\u300c\u5c24\u91d1\u2027\u5c24\u6d85\u65af\u67ef\u7684\u77ed\u5287\u7814\u7a76\u300d<br \/>\n\uff082005\/05\uff09Yi-Chen KE, master of the French Institute, National Central University. \u201cRecherche sur les sketches d\u2019Eug\u00e8ne Ionesco\u201d.<\/p>\n<p style=\"padding-left: 40px;\">\u2022 2002\u5e747\u6708\uff0c\u8f14\u5927\u6cd5\u6587\u6240\u90dc\u4e00\u5982\u78a9\u58eb\u8ad6\u6587\u300c\u52d2\u2027\u514b\u840a\u9f4a\u6b50\u7684\u4e00\u90e8\u96d9\u4eba\u50b3\u8a18\uff1a\u300a\u72c4\u4e9e\u54e5\u8207\u8299\u9e97\u5766\u300b\u4e4b\u63a2\u8a0e\u300d<br \/>\n\uff082002\/07\uff09KAO,Yi-Ju, master of French Institute of Catholic University Fu-Jen. \u201cEtude d&#8217;un double portrait: Diego et Frida de Le Clezio\u201d.<\/p>\n<hr \/>\n<h3>\u958b\u8ab2\u540d\u7a31 Courses<\/h3>\n<h4><strong>\u3010French Department, National Central University<\/strong>\u00a0<strong>\u3011<\/strong>\u5927\u5b78\u90e8<\/h4>\n<p style=\"text-align: left; padding-left: 40px;\">\uff0d\u5beb\u4f5c\uff08\u4e8c\uff09French composition (II)<br \/>\n\uff0d\u6587\u9078\uff08\u4e8c\uff09Selected textes reading (II)<br \/>\n\uff0d\u6cd5\u570b\u96fb\u5f71\uff1a\u6b77\u53f2\u8207\u7d93\u5178French cinema : Masterpieces and History<br \/>\n\uff0d\u6cd5\u8a9e\u570b\u5bb6\u96fb\u5f71\u8207\u6587\u5316\uff1aFrancophone cinemas and cultures<br \/>\n\uff0d\u6cd5\u570b\u85dd\u8853\u8207\u6587\u5316French culture and arts<br \/>\n\uff0d\u5341\u4e5d\u4e16\u7d00\u6cd5\u570b\u6587\u5b78\u53f2History of French Literature of the 19th Century,<br \/>\n\uff0d\u4e8c\u5341\u4e16\u7d00\u6cd5\u570b\u6587\u5b78\u53f2History of French Literature of the 20th Century,<br \/>\n\uff0d\u5e0c\u81d8\u7f85\u99ac\u795e\u8a71\u85dd\u8853\u8207\u5c55\u6f14Ancient Greek and Roman Mythologies and Arts<\/p>\n<h4>\u3010Institute of French for master, National Central University\u3011\u7814\u7a76\u6240<\/h4>\n<p style=\"padding-left: 40px;\">\uff0d\u6587\u5b78\u7406\u8ad6\u8207\u6587\u672c\u5206\u6790Analysis of Theoretical and Critical Texts<br \/>\n\uff0d\u6587\u672c\u7406\u8ad6\u8207\u4e92\u6587\u6027The Theory of Text and the Transtextuality<br \/>\n\uff0d\u81ea\u50b3\u8207\u7ae5\u5e74\u6558\u4e8bChildhood narration and autobiography<br \/>\n\uff0d\u65e5\u5e38\u751f\u6d3b\u7406\u8ad6\u8207\u66f8\u5bebTheories of Everyday Life and Literary Writing<br \/>\n\uff0d\u6587\u5b78\u8207\u651d\u5f71\u3001\u651d\u5f71\u6587\u5b78Literature and photography, Photoliterature<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mme HSU Chi-Lin \u6cd5\u570b<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":34,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-541","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=541"}],"version-history":[{"count":39,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/541\/revisions"}],"predecessor-version":[{"id":6875,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/541\/revisions\/6875"}],"up":[{"embeddable":true,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/34"}],"wp:attachment":[{"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}