{"id":580,"date":"2020-02-15T14:42:20","date_gmt":"2020-02-15T06:42:20","guid":{"rendered":"http:\/\/140.115.197.66:3000\/?page_id=580"},"modified":"2024-08-02T16:35:27","modified_gmt":"2024-08-02T08:35:27","slug":"%e5%8f%b2%e6%83%9f%e7%ad%91-%e5%8a%a9%e7%90%86%e6%95%99%e6%8e%88","status":"publish","type":"page","link":"https:\/\/french.ncu.edu.tw\/?page_id=580","title":{"rendered":"\u53f2\u60df\u7b51 \u526f\u6559\u6388"},"content":{"rendered":"

Mme SHIH Wei-Chu\"\"<\/span><\/h1>\n

\u6cd5\u570b\u91cc\u6602\u7b2c\u4e8c\u5927\u5b78\u6587\u5b78\u8207\u85dd\u8853\u535a\u58eb
\n\u96fb\u5f71\u7f8e\u5b78\u3001\u52d5\u614b\u5f71\u50cf\u6b77\u53f2\u8207\u6587\u5316\u3001\u5c0f\u898f\u683c\u96fb\u5f71\u53f2\u3001\u5f71\u50cf\u6559\u80b2
\n\u5206\u6a5f\uff5c33308
\nuitioksu@ncu.edu.tw<\/a><\/p>\n

 <\/p>\n

\n
\n

\u6700\u9ad8\u5b78\u6b77Dipl\u00f4mes<\/h3>\n

\u6cd5\u570b\u91cc\u6602\u7b2c\u4e8c\u5927\u5b78\u6587\u5b78\u3001\u8a9e\u8a00\u3001\u8a9e\u8a00\u5b78\u66a8\u85dd\u8853\u7814\u7a76\u5b78\u9662 \u535a\u58eb<\/p>\n

\u5b78\u4f4d\u8ad6\u6587<\/h4>\n

Le spectre de l\u2019histoire : une g\u00e9n\u00e9alogie du corps m\u00e9diumnique dans le cin\u00e9ma ta\u00efwanais
\n\u3008\u6b77\u53f2\u5e7d\u9b42\uff1a\u53f0\u7063\u96fb\u5f71\u4e2d\u7684\u8eab\u9ad4\u5a92\u4ecb\u7cfb\u8b5c\u3009<\/p>\n

 <\/p>\n

\n<\/div>\n
\n

\u7d93\u6b77Parcours professionnel<\/h3>\n

2017\u5e742\u6708\uff5e2018\u5e745\u6708 \u9ad8\u96c4\u5e02\u96fb\u5f71\u9928 \u6559\u80b2\u63a8\u5ee3\u90e8\u4ee3\u7406\u90e8\u7d93\u7406
\n2011\u5e746\u6708\uff5e2018\u5e745\u6708 \u53f0\u7063\u300a\u85dd\u8853\u5bb6\u300b\u96dc\u8a8c\u7279\u7d04\u64b0\u7a3f<\/p>\n

 <\/p>\n

\n<\/div>\n
\n

\u5c08\u9577\u9818\u57dfSp\u00e9cialit\u00e9s<\/h3>\n

\u96fb\u5f71\u7f8e\u5b78\u3001\u52d5\u614b\u5f71\u50cf\u6b77\u53f2\u8207\u6587\u5316\u3001\u5c0f\u898f\u683c\u96fb\u5f71\u53f2\u3001\u5f71\u50cf\u6559\u80b2<\/p>\n

 <\/p>\n

\n<\/div>\n
\n

\u8457\u4f5c\u76ee\u9304Publications<\/h3>\n

\u671f\u520a\u3001\u5b78\u8853\u8457\u4f5c<\/h3>\n

\u3008 \u53f0\u7063\u96fb\u5f71\uff08\u5c0f\uff09\u6b77\u53f2\u2014\u2014\u5f9e\u300c\u767e\u4ee3\u2014\u5bf6\u8c9d\u300d\u52fe\u52d2\u6230\u524d\u696d\u9918\u8005\u96fb\u5f71\u521d\u671f\u767c\u5c55\u3009\uff0c\u300a\u85dd\u8853\u5b78\u7814\u7a76\u300b\uff0c\u7b2c<\/span>32\u671f<\/span>\uff0c2023 <\/span>\u5e74 6 <\/span>\u6708\uff0c\u9801 <\/span>1-64<\/span>\u3002<\/span>
\n\u3008Mises en sc\u00e8ne de la civilit\u00e9 : entre taiyupian<\/em> et r\u00e9alisme sain, trois films de Lee Hsing du d\u00e9but des ann\u00e9es 1960\u3009\uff0cdans Monde chinois – nouvelle Asie,\u00a0<\/em>N\u00b069, f\u00e9vrier, <\/span><\/em>2022, <\/span>pp.98-113.<\/span><\/em>
\n\u3008\u8eab\u4efd\u7684\u5efa\u69cb\u8207\u6d88\u901d\u2014\u2014\u300a\u82b1\u5c71\u7246\u300b\u8207\u300a\u56de\u7a0b\u5217\u8eca\u300b\u7684\u975c\u3001\u52d5\u614b\u5f71\u50cf\u7f8e\u5b78\u7b56\u7565\u3009\uff0c\u300a\u85dd\u8853\u5b78\u7814\u7a76\u300b\uff0c\u7b2c<\/span>28\u671f<\/span>\uff0c 2021 <\/span>\u5e74 6 <\/span>\u6708\uff0c\u9801 <\/span>51-88<\/span>\u3002<\/span>
\n\u3008Un cin\u00e9ma en devenir : le cin\u00e9ma 360\u00b0 en question\u3009, dans Entrelacs <\/em>(\u96fb\u5b50\u671f\u520a), N\u00b0 17, mis en ligne le 01 juillet 2020\uff0c <\/span>consult\u00e9 le 12 janvier 2021\u3002 <\/span>URL : http:\/\/journals.openedition.org\/entrelacs\/5937<\/a>.<\/span>
\n\u3008\u8eab\u9ad4\u4f5c\u70ba\u8907\u5beb\u6b77\u53f2\u7684\u7f8e\u5b78\u7b56\u7565\uff1a\u96ea\u514b\u4f5c\u54c1\u4e2d\u7684\u96fb\u5f71\u66f8\u5beb\u8207\u8f49\u5316\u3009\uff0c\u300a\u73fe\u4ee3\u7f8e\u8853\u5b78\u5831\u300b(\u96fb\u5b50\u671f\u520a)\uff0c\u7b2c39\u671f<\/span>\uff0c2020<\/span>\u5e745\u6708\uff0c\u9801 <\/span>3-30\u3002<\/span><\/span>
\n\u3008\u8faf\u58eb\u4f55\u4ee5\u6210\u70ba\u53f0\u7063\u96fb\u5f71\u300c\u8d77\u6e90\u300d\u3009\uff0c \u300a\u52d5\u614b\u5f71\u50cf\u7684\u8db3\u8de1\uff1a\u65e9\u671f\u53f0\u7063\u8207\u6771\u4e9e\u96fb\u5f71\u53f2\u300b\uff0c\u674e\u9053\u660e\u6559\u6388\u4e3b\u7de8\uff0c2019\u5e743\u6708\uff0c\u570b\u7acb\u81fa\u5317\u85dd\u8853\u5927\u5b78\u51fa\u7248\u4e2d\u5fc3 \uff0c\u9801 <\/span>129-143<\/span>\u3002<\/span>
\n\u3008\u96fb\u5f71\u8a9e\u5f59\u8207VR\u96fb\u5f71\u7684\u601d\u7d22\u3009\uff0c\u300a\u53f0\u5317\u5e02\u7acb\u7f8e\u8853\u9928-\u73fe\u4ee3\u7f8e\u8853\u5b63\u520a\u300b\uff0c\u7b2c188\u671f\uff0c2018\u5e743\u6708\uff0c\u980143-51\u3002
\n\u3008\u518d\u73fe\u8a18\u61b6\u4e2d\u7684\u9ed1\u6d1e \u2013 \u300a\u7d22\u723e\u4e4b\u5b50\u300b\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u96dc\u8a8c\u300b\uff0c\u7b2c166-167\u671f\uff0c2016\u5e744\u6708\uff0c\u980131-34\u3002
\n\u3008\u4f55\u8b02\u96fb\u5f71\uff1f\u5f9eAndr\u00e9 Gauldreault\u7684\u300a\u96fb\u5f71\u8207\u5438\u5f15\u529b\uff1a\u4ee5\u96fb\u5f71\u8853\u7684\u89d2\u5ea6\u601d\u8003\u65b0\u96fb\u5f71\u53f2\u300b\u91cd\u65b0\u601d\u7d22\u3009\uff0c\u300a\u96fb\u5f71\u6b23\u8cde\u5b78\u520a\u300b\uff0c\u7b2c18-19\u671f\uff0c2014\u5e7412\u6708\uff0c\u9801180-184\u3002\uff08THCI\uff09<\/p>\n<\/div>\n

\n
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\u7814\u8a0e\u6703\u8ad6\u6587<\/h3>\n

2023<\/span>\u5e74<\/span>6<\/span>\u6708<\/span>2<\/span>\u65e5\uff0c\u3008\u4ee5\u96fb\u5f71\u70ba\u540d\u7684\u300a\u300c\u9ed1\u300d\u8272\u4e4b\u65c5\u300b <\/span>\u2014 <\/span>\u96fb\u5f71\u7d93\u9a57\u8003\u53e4\u5b78\u3009\uff0c\u5b78\u8853\u7814\u8a0e\u6703\u300c\u7576\u4ee3\u5a92\u4ecb\u8207\u5f71\u50cf\u8ad6\u58c7<\/span>\u2014 <\/span>\u5a92\u4ecb\u5f71\u8996\u7814\u7a76\u8207\u5275\u4f5c\u300d\uff0c\u4e16\u65b0\u5927\u5b78\uff0c <\/span>2023<\/span>\u3002
\n<\/span>2022<\/span>\u5e74<\/span>12<\/span>\u6708<\/span>5<\/span>\u65e5\uff0c \u3008<\/span>Premi\u00e8re enqu\u00eate sur la circulation du film 9.5mm \u00e0 travers le r\u00e9seau transnational du cin\u00e9-club Path\u00e9-Baby entre Ta\u00efwan et le Japon \u3009<\/span>\uff0c <\/span>colloque international Du Path\u00e9-Baby au 9.5mm, l\u2019invention du cin\u00e9ma chez soi<\/span>\uff0c <\/span>Institut National d\u2019histoire des Art et Fondation J\u00e9r\u00f4me Seydoux-Path\u00e9<\/span>\uff0c <\/span>2022<\/span>\u3002
\n<\/span>2022<\/span>\u5e74<\/span>5<\/span>\u6708<\/span>28 <\/span>\u65e5\uff0c\u3008<\/span> L\u2019histoire iconologique d\u2019une figure off – images hant\u00e9es dans le non-lieu de \u00ab Huatung village \u3009<\/span>\uff0c\u570b\u969b\u7814\u8a0e\u6703\u300c\u5f71\u50cf\u907a\u5b58\uff0d\u8de8\u9818\u57df\u8207\u8de8\u6587\u5316\u300d<\/span>(colloque international de Survivance des images : transdisciplinarit\u00e9 et transculturalit\u00e9)<\/span>\uff0c\u570b\u7acb\u4e2d\u592e\u5927\u5b78\uff0c <\/span>2022<\/span>\u3002
\n<\/span>2020<\/span>\u5e74<\/span>9<\/span>\u6708<\/span>7<\/span>\u65e5\uff0c\u3008\u5f71\u50cf\u4e69\u8eab\u3009\uff0c\u300c <\/span>2020 <\/span>\u81fa\u7063\u7406\u8ad6\u95dc\u9375\u8a5e\u6703\u8b70\u300d\uff0c\u570b\u7acb\u53f0\u7063\u5927\u5b78\u6587\u5b78\u9662\u53f0\u7063\u7814\u7a76\u4e2d\u5fc3\u3002<\/span>
\n2016\u5e7410\u6708\uff0c\u3008\u8faf\u58eb\u4f55\u4ee5\u6210\u70ba\u53f0\u7063\u96fb\u5f71\u300c\u8d77\u6e90\u300d\uff1f\u3009\uff0c\u7b2c\u4e8c\u5c46\u53f0\u7063\u8207\u4e9e\u6d32\u96fb\u5f71\u53f2\u570b\u969b\u7814\u8a0e\u6703\uff1a\u6bd4\u8f03\u6b96\u6c11\u6642\u671f\u7684\u97d3\u570b\u8207\u53f0\u7063\u96fb\u5f71\uff0c\u53f0\u5317\u85dd\u8853\u5927\u5b78\u3002
\n2016\u5e743\u6708\uff0c\u3008No-body\u2019s resistance and power of the voice over in Su Yu-Hsien\u2019s video work Hua-Shan-Qiang\u3009, Annual Conference of the European Association of Taiwan Study (Czech Academy of Science, Czech Republic)
\n2015\u5e744\u6708\uff0c\u3008Le corps m\u00e9diumnique dans le cin\u00e9ma taiwanais\u3009, Association Francophone d\u2019\u00c9tudes Ta\u00efwanaises, EHESS, France
\n2013\u5e744\u6708\uff0c\u3008La troisi\u00e8me naissance du cin\u00e9ma ta\u00efwanais\u3009, Association Francophone d\u2019\u00c9tudes Ta\u00efwanaises, ENS de Lyon, France
\n2011\u5e7412\u6708\uff0c\u3008Kuso \u2013 un corps de spectralit\u00e9 \u3009, Colloque de L\u2019Exploration du corps dans les arts, Universit\u00e9 Lyon 2, France
\n2010\u5e749\u6708\uff0c\u3008<\/span> L\u2019\u00e9mergence du sujet absent dans S\u00e9ance Familiale \u3009, Colloque de Dialogues hors du champ r\u00e9el, Paris<\/p>\n<\/div>\n

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\u5176\u4ed6\u8457\u4f5c<\/h3>\n

2023<\/span>\u5e74<\/span>4<\/span>\u6708\uff0c\u3008\u4e00\u5834\u79d1\u6280\u5b85\u7684\u5bb6\u5ead\u805a\u6703\uff0d\u300c\u5f9e\u767e\u4ee3\uff0d\u5bf6\u8c9d\u5230 <\/span>9.5 <\/span>\u6beb\u7c73\uff1a\u5bb6\u7528\u96fb\u5f71\u767c\u660e\u300d\u7814\u8a0e\u6703\u3009\uff0c\u96fb\u5f71\u6b23\u8cde <\/span>194 <\/span>\u671f\uff0c \u53f0\u5317\uff1a\u570b\u5bb6\u96fb\u5f71\u53ca\u8996\u807d\u6587\u5316\u4e2d\u5fc3<\/span>\u3002<\/span><\/span>
\n2023<\/span>\u5e74<\/span>2<\/span>\u6708\uff0c\u3008 \u4e00\u767e\u5e74\u524d\u958b\u5275\u5bb6\u7528\u5f71\u8996\u5a1b\u6a02\u5de5\u696d\u7684\u8036\u8a95\u737b\u79ae\u2500\u2500\u300c\u767e\u4ee3\uff0d \u5bf6\u8c9d\u300d\u653e\u6620\u6a5f<\/a>\u3009\uff0c\u300a\u6f2b\u904a\u85dd\u8853\u53f2\u300b\uff0c<\/span><\/span>
\n\u7db2\u5740\uff1a \uff1c<\/span>https:\/\/arthistorystrolls.com\/2023\/02\/24\/<\/span>\u4e00\u767e\u5e74\u524d\u958b\u5275\u5bb6\u7528\u5f71\u8996\u5a1b\u6a02\u5de5\u696d\u7684\u8036\u8a95\u737b\u79ae<\/span>\u2500\u2500<\/span>\u300c <\/span>\/<\/span><\/a>\uff1e <\/span>\u3002<\/span><\/span>
\n2023\u5e744\u6708\uff0c<\/span>\u201cTa\u0302ng-ki\u201d,<\/span>\u00a0<\/span>dans Dictionnaire d\u2019Iconologie Filmique<\/em>, <\/span>Lyon : Presses universitaires de Lyon, <\/span>pp. 603-609.<\/span><\/span>
\n2022<\/span>\u5e744<\/span>\u6708\uff0c<\/span>\u3008\u4ee5\u5149\u523b\u947f\u7684\u8a18\u61b6\uff0d\u96fb\u5f71\u901a\u5411\u4e16\u754c\u7684\u834a\u68d8\u4e4b\u9053\u3009\uff0c\u300a\u5149\uff0d\u81fa\u7063\u6587\u5316\u7684\u555f\u8499\u8207\u81ea\u89ba\u300b\uff0c\u53f0\u5317\uff1a\u570b\u7acb\u81fa\u5317\u6559\u80b2\u5927\u5b78\u5317\u5e2b\u7f8e\u8853\u9928\uff0c\u9801 <\/span>405-416<\/span>\u3002
\n<\/span>2021<\/span>\u5e74 <\/span>12 <\/span><\/span>\u6708\uff0c<\/span>\u3008\u5f9e\u8996\u89ba\u88dd\u7f6e\u770b\u9127\u5357\u5149\u5f71\u50cf\u5c08\u696d\u5230\u696d\u9918\u4e4b\u8f49\u5411<\/a>\u3009\uff0c\u967d\u660e\u4ea4\u5927\u8de8\u6587\u5316\u96fb\u5f71\u7814\u7a76\uff0c\u7db2\u5740\uff1a\uff1c<\/span>https:\/\/ics.iaa.nycu.edu.tw\/?p=1859<\/span><\/a>\uff1e
\n<\/span>2021<\/span>\u5e74<\/span>3<\/span>\u6708\uff0c\u3008\u4ee5\u8eab\u9ad4\u4f5c\u70ba\u6b77\u53f2\u8207\u8a18\u61b6\u7684\u6642\u9593\u6f14\u7df4\u5834\u3009\uff0c\u300a\u653e\u6620\u9593\uff0d\u6797\u7fbf\u7dba\u300b\uff0c\u81fa\u5317\uff1a\u6211\u89aa\u51fa\u7248\u3002
\n<\/span>2020<\/span>\u5e74<\/span>9<\/span><\/span>\u6708\uff0c<\/span>\u3008\u5728\u6a19\u7c64\u7fa4\u9ad4\u7684\u5f71\u50cf\u4e2d\uff0c\u8207\u300c\u4eba\u300d\u76f8\u9047\u3009\uff0c\u300a\u5c0d\u8a71\u7684\u5834\u57df<\/span>-2020 <\/span>\u53f0\u7063\u570b\u969b\u4eba\u6b0a\u5f71\u5c55\u89c0\u5f71\u7b46\u8a18\u300b\uff0c\u9801 <\/span>35-41<\/span>\u3002
\n<\/span>2020<\/span>\u5e74<\/span>1<\/span><\/span>\u6708\uff0c<\/span>\u3008\u96e3\u4ee5\u6210\u70ba\u6b77\u53f2\u7684\u4eba\u3009\uff0c\u300a\u96fb\u5f71\u88e1\u7684\u4eba\u6b0a\u95dc\u9375\u5b57\uff1a \u7b2c\u516d\u5341\u4e5d\u4fe1\u300b\u5c0e\u8b80\uff0c\u53f0\u5317\uff1a\u5947\u7570\u679c\u6587\u5275\u4e8b\u696d\u6709\u9650\u516c\u53f8\uff0c\u9801 <\/span>8-12<\/span>\u3002<\/span><\/span>
\n2020<\/span>\u5e74<\/span>8<\/span>\u6708\uff0c\u300a\u82b1\u5c71\u7246\u300b\u6559\u6750\u4f5c\u8005\uff0c\u53f0\u5317\uff1a\u5bcc\u90a6\u6587\u6559\u57fa\u91d1\u6703\u3002
\n<\/span>2019\u5e748 \u6708\uff0c\u3008<\/span><\/span>Borderless vision? The question of frame in Taiwanese cinematic virtual reality\u3009, in <\/span>Dispositif 6(12)<\/span>\uff0c<\/span>pp. 37-57<\/span>\u3002<\/span><\/span>
\n2019<\/span>\u5e74<\/span>8 <\/span>\u6708\uff0c\u300a\u7b2c\u516d\u5341\u4e5d\u4fe1\u300b\u6559\u6750\u4f5c\u8005\uff0c\u53f0\u5317\uff1a\u5bcc\u90a6\u6587\u6559\u57fa\u91d1\u6703 \u3002<\/span><\/span>
\n2011\u5e746\u6708\uff0c\u3008\u5f9e\u96fb\u5f71\u3001\u6b77\u53f2\u8207\u52ab\u96e3\uff0c\u601d\u8003\u300a\u727d\u962e\u7684\u624b\u300b\u7684\u6b77\u53f2\u53ef\u898b\u6027\u3009\uff0c\u85dd\u8a55\u53f0\uff0c\u53f0\u5317\uff1a\u570b\u5bb6\u6587\u85dd\u57fa\u91d1\u6703\uff0c\u53f0\u5317\uff1a\u570b\u5bb6\u6587\u85dd\u57fa\u91d1\u6703\u3002<\/span>
\n2011\u5e744\u6708\uff0c\u3008\u6587\u5b78\u8207\u96fb\u5f71\u5c0d\u8a71\u4e4b\u53ef\u80fd \u2013 \u6587\u5b57\u8207\u93e1\u982d\u7fe9\u7136\u8d77\u821e\u300a\u7236\u5f8c\u4e03\u65e5\u300b\u7684\u6539\u7de8\u85dd\u8853\u4e00\u6587\u7684\u806f\u60f3\u3009, \u570b\u5bb6\u6587\u85dd\u57fa\u91d1\u6703\u96d9\u6708\u520a\uff0c\u7b2c22\u671f\uff0c \u53f0\u5317\uff1a\u570b\u5bb6\u6587\u85dd\u57fa\u91d1\u6703\u3002<\/span>
\n2011\u5e744\u6708\uff0c\u3008\u5f71\u50cf\u610f\u7fa9\u7684\u518d\u601d\u8003 \u2013 \u56de\u5230\u3008\u52a0\u5de5\u5ee0\u3009\u7684\u9673\u754c\u4ec1\u56de\u9867\u5c55\u3009\u570b\u5bb6\u6587\u85dd\u57fa\u91d1\u6703\u85dd\u8a55\u53f0 \u9996\u734e\u3002\u8acb\u53c3\u898b\uff1ahttps:\/\/ncu.academia.edu\/WeiChuSHIH<\/a><\/span><\/p>\n

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\u8fd1\u4e09\u5e74\u6559\u6388\u79d1\u76eeEnseignements<\/h3>\n

\u5927\u5b78\u90e8<\/strong><\/p>\n

\u8b80\u672c Reading
\n\u6587\u5316\u662f\u4ec0\u9ebc\uff1f\u5f9e\u6cd5\u570b\u6587\u5316\u653f\u7b56\u8ac7\u8d77 What is culture? Rethinking cultural politics through French history
\n\u5f71\u50cf\u6558\u4e8b\u3001\u611f\u77e5\u8207\u8996\u89ba\u6587\u5316 Film Narrative, Perception and Visual culture<\/p>\n

\u7814\u7a76\u6240<\/strong><\/p>\n

\u6cd5\u570b\u73fe\/\u7576\u4ee3\u96fb\u5f71\u7814\u7a76 Researches on French cinema
\n\u6cd5\u570b\u73fe\/\u7576\u4ee3\u96fb\u5f71\u7814\u7a76II Researches on French cinema \u2161
\n\u6cd5\u570b\u73fe\/\u7576\u4ee3\u96fb\u5f71\u7814\u7a76III Researches on French cinema III<\/p>\n

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 <\/p>\n<\/div>\n

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\u00a0<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Mme SHIH Wei-Chu \u6cd5<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":34,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-580","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=580"}],"version-history":[{"count":30,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/580\/revisions"}],"predecessor-version":[{"id":6259,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/580\/revisions\/6259"}],"up":[{"embeddable":true,"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=\/wp\/v2\/pages\/34"}],"wp:attachment":[{"href":"https:\/\/french.ncu.edu.tw\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}